The Glass Teat

TV Title Sequences I Like: Jonny Quest

I don’t know if anyone else is enjoying this TV Title Sequence thing I’ve been doing, but I am sure am having fun hunting down this stuff, some of which I haven’t seen or thought about in years. Today’s selection is from one of my Saturday-morning faves when I was a kid, a 1960s-vintage cartoon that continued running (I believe) well into the 1980s: Jonny Quest. If you don’t recall the show, Jonny Quest was just about the perfect series ever created for ten-year-old boys (and a whole lot of girls!). It followed the adventures of the titular character, who is, not surprisingly, about ten or twelve years old, as he travels the world with his father, globally renowned scientist and inventor, Dr. Benton Quest. Along for the ride are Jonny’s friend Hadji (who can be read through a modern lens as an unfortunate stereotype, but in simpler, less-uptight times would’ve been just a damn cool kid to have as a buddy, what with his snake-charming powers and such), the obligatory yappy-dog Bandit for comic relief (which, admittedly, was never terribly funny, even when I was ten), and Dr. Quest’s assistant, driver, bodyguard, sidekick, and regular right-hand man, Race Bannon. (Modern-day po-mo ironists take note of the fact that there are no women in the series and speculate about the true nature of Race and Benton’s relationship, if you get my meaning. I suppose it’s possible they were lovers; I prefer to see them as brothers-in-arms who, in the words of Indiana Jones’ sidekick Short Round, have “no time for love.” The show is, after all, a ten-year-old boy’s vision of the world, as yet uncorrupted by such grown-up things as sexual chemistry.)

The title sequence for the show plays as a montage of greatest hits from previous episodes:

Yeah, that’s great stuff with the jazzy, brassy, jangly-guitary, mid-60s-style music and the whole Kennedy-era sense of derring-do and “science will conquer all” attitude. As you can see from the clip, Jonny Quest covered a lot of territory: fantasy (dinosaurs), horror (the mummy episode), high adventure (the jungle stuff), science fiction (the eyeball/spider robot — which always gave me a major case of The Willies — and the assorted ray-guns, lasers, and blasters), spy thriller, and just plain old two-fisted, rifle-shooting, manly-man action. I know there have been a couple of attempts to revive and update the show — one particularly oddball version in the mid-90s featured Jonny entering a CG virtual reality in every episode, as I recall — but none of them came close to the innocent, pulp-fiction fun of the original. This is one of the very few kiddie cartoons that I’d like to have on DVD…

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TV Title Sequences I Like: The Six Million Dollar Man

Just in case anyone couldn’t be bothered to click that link in the previous entry, I thought I’d go ahead and post up the intro for one of my favorite childhood series, The Six Million Dollar Man. I haven’t seen the show in years, and I have half a hunch that it wouldn’t hold up to my adult scrutiny, but I think this opening is still insanely dramatic and exciting:

I love those animated “computer graphics.” My three Loyal Readers probably know what I’m going to say next: I still have my old Steve Austin doll. I’ve got his arch-enemy Maskatron, too, and the inflatable command base, “Bionic Mission Vehicle,” and the rocket ship that turns into a medical bay. I never did have the Bigfoot doll, though… I might have to go questing on eBay…

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TV Title Sequences I Like: Hardcastle and McCormick

Evanier announced something interesting today: “Off and on… I’m going to link to videos of openings I liked for TV shows. In some cases, I didn’t like the show but I liked the opening.” This is an idea I’ve been toying with for quite a while, if for no other reason than to let me dig up YouTube clips of things I haven’t seen in a long, long time and wallow in a momentary glow of nostalgia for all the dreck that shaped me into the charming fellow I am today. Without further ado, here’s my first entry in this whole new category of blogging:

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More on Eric Johnson

Just in case you read my pointless ramblings via an aggregator, or otherwise don’t follow the comments, there’s been an interesting development in regards to yesterday’s entry on the new Flash Gordon series. I’ve been contacted by Andrea, the webmaster for EricJohnsonWeb.com, who informs me that the head shot of Eric I saw is seven years out of date. She directed me to this more recent photo, and, based on it, I’ve got to admit that I was wrong. A little older now, Mr. Johnson has definitely acquired what I would consider the proper “Flash Gordon look” since that Smallville shot was taken. So this latest incarnation of Alex Raymond’s legendary adventure story has that much going for it at least.

Interestingly, I failed to notice yesterday that Eric has, in fact, done some work I have some passing familiarity with, namely the Work and the Glory films. If you haven’t heard of these, don’t feel bad. I doubt that many people outside of Utah have.

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Nothing New Under the Sun, er, Moon…

I was just reading about the new shows CBS has coming up this fall, and I found something curious about this one:

MOONLIGHT, from prolific movie producer Joel Silver (“The Matrix” Trilogy), is about Mick St. John (Alex O’Loughlin, upcoming “White Out”), a captivating “undead” private investigator who uses his acute vampire senses to help the living – instead of feeding on them. In an agonizing twist of fate, Mick was “bitten” 60 years ago by his new bride, the seductive and beguiling Coraline (Amber Valletta, “Hitch”). Immortal and eternally as young, handsome and charismatic as he was then, Mick is sickened by Coraline and other vampires who view humans only as a source of nourishment. With only a handful of undead confidantes for company, including deceitful ally Josef (Rade Serbedzija, “24”), Mick fills his infinite days protecting the living, and trying not to think about how his life would have been if he hadn’t followed his heart. However, after six decades of resisting, he wonders if it’s time to pursue the love of a mortal. He has his eyes on Beth Turner, a beautiful, ambitious reporter who has been covering the ongoing plague of unusual murders. But would Beth even consider giving up a normal life to be with him, and can Mick risk the pain of seeing himself as a monster in her eyes? As Mick lives between two realities, fighting his adversaries among the undead and falling in love with Beth, he knows he needs to figure out a reason to keep “living.”

You see, I remember that show being called Forever Knight when it aired about 15 years ago…

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Revisiting Childhood Via the Digital Airwaves

One of the groovy things about having one of those new-fangled HDTVs is that I now get more channels than I used to, and I didn’t even have to sign up for cable or The Dish. The secret is the digital transmissions that piggyback onto the plain ordinary old signal that merely mortal TVs pick up. Where I used to get only channel 5, for example, I now have 5.2 (a high-definition version of the same programming carried on analog 5) and 5.3 (a local weather channel and news headline ticker). It’s pretty cool. And something that’s really cool is channel 16.1, part of the ION television network. (My old TV didn’t pick anything up at all on channel 16, so I don’t know if this station has an analog equivalent or not. It’s a completely new thing for me.)

And what, you may be asking, is so cool about this channel 16.1? Only a nice assortment of the classic programs that I grew up loving. How does The Wonder Years every night at 9 pm sound to you? Or Kung Fu, Charlie’s Angels, and the original Mission: Impossible?

Or how about the fact that I was channel-surfing last night and ran across my beloved original version of Battlestar Galactica, airing at 6 pm on Sunday night just the way it did back in ’78? It was even a good episode, “The Living Legend,” with Lloyd Bridges as Commander Cain in command of the Galactica‘s long-lost sister ship, the battlestar Pegasus.
I have the series on DVD, of course, but there was a certain small thrill that came from just running across it somewhere on television, instead of deliberately choosing to put the disc on. The only thing that would’ve made it better would’ve been if I’d laying belly-down on the floor in front of a roaring fire, resting my chin in my hands and feeling the ends of my shoelaces dangling across the backs of my legs, the way I remember doing it when I was eight.

Of course, a roaring fire last night would’ve been a little uncomfortable; it is drifting into summer, after all. But you get the idea.

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The New Who

A long time ago, just before I started my freshman year of high school, I fell in love with the British TV series Doctor Who. You know, that ultra-low-budget sci-fi serial about a guy who time-travels in an old telephone booth (well, technically, a police box, but it’s still a variety of phone booth) and encounters all manner of bizarre creatures bent on destroying humanity and conquering the universe?

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Pet Peeve: The Today Show

This is something that’s bothered me off and on for several years, but this morning I finally reached my breaking point: what the hell is the matter with the audio mix on The Today Show?

Anytime they use background music for a segment — which is pretty much all the time these days on this increasingly fluffy and pointless “news” program — the music is so loud that it drowns out the voiceover. It happened this morning while Matt Lauer was reminiscing about his best experiences while doing his “Where in the World is Matt Lauer?” segments, which I still enjoy despite my general disdain for Today. The insidiously catchy and terminally annoying Outkast tune “Hey Ya” was playing over the story, cranked up to the point where I could hardly hear Matt at all, so what I ended up with essentially a music video with visuals of Lauer on an aircraft carrier, walking around Red Square, etc.

I’ve wondered for some time if the problem was with the TV in my bedroom (I usually half-listen to the various morning shows while I dress for work, so I can catch a weather forecast), but today, because I was actually interested in the story in question, I tried the HDTV in my living room; same thing there. Are the show’s producers even aware of this issue? Is it deliberate on their part? Do they think for some reason that viewers find it pleasant or exciting to have music drowning out the host personalities that we’re supposedly tuning in to listen to? Or are we just supposed to look at them? Why have the hosts at all? Why not just play music? Oh, wait, that’s what the radio is for, isn’t it? Idiots…

Oh, and as long as I’m bitching, I’d love to see all the national morning shows drop their outside “plaza” segments, too; listening to the screaming crowds of people who all seem to think that their Aunt Mildred in Peoria will somehow pick out their single voice from the cacophony is even more annoying than the nine-millionth play of “Hey Ya.” Not that the goofball weather-guessers who mingle with the crowd ever have anything all that important or amusing to say, I just don’t like all the noise. Arg…

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