The Glass Teat

Another Sign We’re Living in the Future

Perhaps the cheesiest episode ever of the old 70s-vintage Buck Rogers TV show — which is saying a lot, considering how that entire series was one long block of yummy, yummy fromage — was “Space Rockers,” wherein evil Jerry Orbach wants to control the minds of the galaxy’s youth via subliminal signals embedded in truly awful music. Actually, it probably wasn’t such a bad idea for a story, at least not back then, when people still believed there were backmasked Satanic messages underlying “Stairway to Heaven.” The way it was executed, however… oy. I thought it was embarrassing even when I was a kid and Buck was don’t-miss-viewing.

Part of what made it so dippy was the appearance of the “rock” band Orbach was secretly using for his nefarious scheme. Leaving aside their cringe-inducing costumes — which consisted of body stockings and rope lights — their “playing” looked really, well, goofy. The series was set in the 25th Century, so everything had to be electronic and futuristic-looking, right? That meant that the “guitar” had no strings and Bonzo played his “drum kit” by tapping plastic rods with a pencil. But the most ridiculous item was the synthesizer/keyboard doohickey: it was just a table with colored circles on it, which was the musician “played” by passing his hands (or, in an over-the-top eruption of Velveeta, his leg) over them. Have a look at the video, if you dare.

Silly, right? Well, maybe not. Via Scalzi comes word of a new electronic musical instrument called the ReacTable, and I’ll be damned if it isn’t highly reminiscent of that old Buck Rogers prop:

Wired.com has an article about this new instrument here.

You know, if something from Buck Rogers had to developed out here in the real world, I think I’d have chosen those spandex jumpsuits that Erin Gray always wore. Maybe there’s still hope for those…

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The Compleat Doctor Who

This is kind of fun for people who are fully comfortable with the depths of their geekiness: it’s a video compilation of the entire 36-year run of the original Doctor Who series (including the 1999 TV movie that aired on Fox) condensed into a little over five minutes.

(Via)

Fascinating to see how the visual tone of the series (not to mention the production values!) changes over the years…

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Interview with Danica

Okay, last week I was obsessing over Flash Gordon, and now this week I keep going on about The Wonder Years. So I’m a fanboy, sue me. Well, no, on second thought, don’t do that. I’ll be nice…

If you’re interested, Wired has just posted an interview with Danica McKellar about her new book and “why being a math whiz and a girly girl are not mutually exclusive.” It’s a pretty interesting read, and it even includes a link to McKellar’s published proof, Percolation and Gibbs states multiplicity for ferromagnetic Ashkin–Teller models on Z2.

No, I don’t know what that means. And neither do you, so stop trying to show off…

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TV Title Sequences: The Wonder Years

I mentioned The Wonder Years yesterday, so it seems appropriate to make that show’s opening our TV Title Sequence for this week. My research — okay, the two minutes I spent perusing YouTube — indicates that the 30-second version of the opening I’ve been seeing on those nightly re-runs on the Ion channel is actually cut down from the original sequence, which I had forgotten ran much longer when the show first aired. Here’s the full-length, one-minute version as it appeared in the show’s first four seasons, circa 1988-1991:

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TV Title Sequences: The New Adventures of Flash Gordon

In yesterday’s blatheration about the new Flash Gordon series, I made several references to previous versions of the story. The best known of these are, of course, the 1930s-vintage movie serials starring Buster Crabbe, and the 1980 feature film with the so-cheesy-it’s-awesome soundtrack by the rock group Queen. However, there have also been a number of Flash television shows over the years, including an animated version that debuted in 1979. Known variously as The New Adventures of Flash Gordon, The Adventures of Flash Gordon, or just plain Flash Gordon, this series was a weekly Saturday-morning must-see for me:

This series is available on DVD, but honestly, I’m half-afraid to watch it again, because it might not hold up to my adult scrutiny and I don’t want to ruin a fond memory. Even so, there are a lot of things in that clip above that still look good to me: rocketships, robots, ray guns, alien creatures, exotic landscapes, giant drilling machines tunneling beneath the ground, and scantily clad women with swords in hand… ah, now that’s Flash Gordon, in all its pulpy, comic-strippy glory! Somehow, I doubt the Sci-Fi Channel’s take on the material will quite live up to this standard…

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All We Have to Do is Save the Universe…

Arg! I have several longer entries that I’d like to finish and get posted up here, but naturally my days have been too hectic recently to allow that. So, in lieu of writing anything genuinely interesting, allow me to direct you to this preview of the Sci-Fi Channel’s upcoming Flash Gordon series.

The trailer doesn’t show you very much, but my first impression is that it looks promising. I’m getting a definite sense of cliffhanger-style derring-do, although that could just be an artifact of fast editing and the proper choice of music. (I must admit, I started grinning like an idiot when I noticed the “dun-dun-dun-dun-dun-dun-Flash!-Ah-aaaahhh!” in the background. I hope they actually use some of the old Queen theme song in this new show, and that it’s not just a tease to get us thirtysomething fanboys all hyped up.)

I have heard some rumors that I’m not happy about, namely that Flash and his sidekicks reach the planet Mongo via some kind of stargate, rather than aboard a rocketship as in every previous version of Alex Raymond‘s venerable tale. Also, the new series will apparently lack many of the familiar supporting characters from the earlier versions — no Barin, Aura, Fria, Thun, or Vultan, and probably no hawkmen or floating city in the sky either. In short, many of the elements that distinguish Flash Gordon in the first place. I find myself wondering yet again, as I did when I first saw the new Battlestar Galactica, exactly how much you can get away with changing before a remake should more properly be allowed to develop into a whole new (if somewhat similar) property, with a different title and different characters.

On the positive side, however, a glance through Sci-Fi’s gallery of publicity stills turns up a number of Flash Gordon-y images, including some good, old-fashioned female pulchritude and our hero in pulpy peril. Oh, and I’ve heard that the producers have approached Sam J. Jones, the 1980 Flash, about doing a cameo or longer guest appearance. That sort of thing makes me happy; it’s like when the 1979 Buck Rogers series included a role for Buster Crabbe, the original Buck and Flash. While some may dismiss these inclusions as stunts calculated to draw fans of the older version, I think they demonstrate that the producers of the new version respect what came before them. It’s a decent thing to do for the older actors, and for fanboys like me who still revere the originals, it’s fun and heartwarming.

The new Flash is set to premiere on August 10.

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TV Title Sequences: Airwolf

Let’s do another one, shall we?

As the decade of the ’80s progressed, TV action heroes began to evolve from detectives into characters we can call, for lack of a better word, “troubleshooters.” These guys were less concerned with figuring out whodunnit mysteries than with helping the downtrodden find justice. Like the private dicks they descended from, these characters were mavericks and renegades who operated outside the law, occasionally working for shadowy organizations whose exact nature was never disclosed, but just as often functioning as “indepedent contractors.” The good-hearted mercenaries who composed The A-Team are one example of these troubleshooter characters; the world’s ultimate tinkerer MacGyver is another. But the ones I really grooved on — naturally — were the ones that threw some science-fiction hardware into the mix. Knight Rider is probably the best known of these. Personally, I much preferred heavily armed, supersonic-capable, computerized stealth helicopters to silly talking cars:


I hear this theme music in my head everytime I see a helicopter, especially if it’s just in the process of powering up and lifting off. Of course, the fact that our local AirMed choppers are the same Bell 222 model used to protray the Airwolf probably has something to do with that…

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TV Title Sequences: Riptide

Today’s title sequence is actually a suggestion sent along by Chenopup; it’s the opening from another of those early ’80s detective shows we all loved so much, a Stephen J. Cannell series called Riptide. I’ve got to be honest, I don’t remember this one very well. I know I watched it, and I seem to recall that the three leads had all served together in Vietnam (not that there’s anything unique about that; all the early-80s TV detectives were ‘Nam vets). I believe at least one of them lived on the boat that gave the show its name, too, but I’m not sure and the Wikipedia entry for the show is unclear on this point. In any event, it’s an enjoyable title sequence and another good Mike Post/Pete Carpenter theme song (although it loses a couple of points in my book for sounding so much like the Simon & Simon theme):

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TV Title Sequences I Like: Magnum, PI

I mentioned Magnum, PI in the the previous entry and, as best I can recall, it aired on the same night as Simon & Simon (I think it was Thursday, Magnum first, then S&S… and yes, it frightens me that I remember that!), so why don’t we have a look at the opening for Tom Selleck’s best-known work?

I don’t know about you, but that got my heart pounding. I think this opening, along with the one from Miami Vice, are probably the best title sequences of the ’80s, brilliant pairings of exciting, memorable music with the perfect visuals.
Oddly, though, this was not Magnum‘s original opening. For roughly half of the first season, the show had completely different theme music, and a somewhat different montage of visuals beneath it. Have a look:

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TV Title Sequences I Like: Simon & Simon

As I’m sure you can imagine with the news about my dog and all, I’ve been in kind of a funk the last few days. And where do I turn when I’m feeling down? Where else but to that wondrous opiate of the modern masses, television! Or, as Homer Simpson once called it, “Teacher, mother, secret lover.” So, in that spirit, let’s take a look at yet another TV title sequence that I’ve always thought was tres cool, or at the very least, entertaining:

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