The Bookshelf

In Memoriam: 2010 Super Retrospective Edition

I don’t know why I feel compelled to observe the deaths of celebrities the way I do. I only know that I always have, going all the way back to a couple of brief sentences I scribbled in an old pocket calendar on the day Elvis Presley died in 1977. (I was seven years old at the time.) A former girlfriend once told me she thought I was morbid for having such an interest in the passing of people I didn’t even know. I see it differently, of course. No, I didn’t personally know the people I write tributes for, but that doesn’t mean I feel no attachment to them, no grief at the thought that they’re gone, or that their lives — or at least their work — has had no direct effect on my own. Given my interests and obsessions, movie and television actors, novelists, screenwriters, artists, composers, and rock stars have often had more effect on me than many of my own relatives.
In any event, a lot of things got away from me in 2010, including a great many topics I wanted to blog about, and my patented celebrity obits comprise a pretty large subset of those lost blogging opportunities. That’s a tremendous source of frustration for me; I feel like I’ve failed at some kind of calling, as pretentious and self-important as that probably sounds. But I feel what I feel, right?
To try and make up a little for my “In Memoriam” failings, I will now present a list of all the celebrities who died in 2010 that I felt worthy of mentioning. They all deserve more than a bullet point, but I’m afraid that’s all I have time to give them. A handful of them did get a little more, up toward the first of the year, before the Summer Work Apocalypse got its claws into me. Those people’s names are hyperlinked to the relevant posts.
And to anyone who may agree with that long-gone girl and thinks I’m being morbid, I assure you I really did feel some connection to everyone on this list, even if it was simply a sense of familiarity due to their faces being on TV all the time as I was growing up.

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2010 Media Wrap-Up

The next couple of entries probably aren’t going to be of any interest to anyone except me — and isn’t it cute that I think any of my entries are of interest to anyone except myself? — but these are housekeeping-type things that I feel obligated to do in order to satisfy my own OCD-fueled mania for lists and historical accounting, and I need to do them pretty damn quick, too, since the first month of 2011 is already gone. Anyhow, if for some reason you are interested in reading on, here’s everything on which I wasted my meager leisure time during the previous year…

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Dirk Gently’s Electric Monk

A couple days ago, I mentioned that the novel Dirk Gently’s Holistic Detective Agency by Douglas Adams contains a wisecrack about my hometown of Salt Lake City. (Actually, I guess SLC is better described as the urban core of my home region, as opposed to my actual hometown, which is a little burg called Riverton several miles to the south of SLC proper. But I digress. As usual.) I was pretty sure I remembered the generalities of the joke well, but because I’m essentially an insecure and obsessive-compulsive wreck, I had to spend part of my day off today rummaging in the basement for my copy of the book in order to prove a point to myself. I am delighted to report that my memory had not failed me, even though it’s been years — not since high school, now that I think about it — since I read Dirk Gently. Here’s the exact quote:

The Electric Monk was a labour-saving device, like a dishwasher or a video recorder. Dishwashers washed tedious dishes for you, thus saving you the bother of washing them yourself, video recorders watched tedious television for you, thus saving you the bother of looking at it yourself; Electric Monks believed things for you, thus saving you what was becoming an increasingly onerous task, that of believing all the things the world expected you to believe.

 

Unfortunately this Electric Monk had developed a fault, and had started to believe all kinds of things, more or less at random. It was even beginning to believe things they’d have difficulty believing in Salt Lake City. It had never heard of Salt Lake City, of course. Nor had it ever heard of a quingigillion, which was roughly the number of miles between this valley and the Great Salt Lake of Utah.

As I said the other day, I thought this was incredibly funny when I was a teenager. Seeing it again, I think much of its impact derived from it being the first time I ever saw Salt Lake mentioned in a book published for a wide (i.e., non-Utah-specific) audience, amplified by the fact that the novelist was from the UK. That a British man had even heard of Salt Lake — a British man I already idolized for The Hitchhiker’s Guide to the Galaxy — was mind-blowing. That he correctly identified one of the most distinguishing characteristics of your average Utahn — our sweet gullibility — and so blithely poked fun at it… well, I’ve remembered this joke for over 20 years, haven’t I? Simply incredible.

Yeah. Dirk Gently. I probably ought to re-read that one of these days…

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A Dirk Gently TV Series? Really?

I think most of my Loyal Readers are probably familiar with The Hitchhiker’s Guide to the Galaxy — that sublimely silly sci-fi spoof by Douglas Adams — in one or another of its many varied forms. (It has been a radio show, a low-budget BBC television series, a big-budget Hollywood feature film, and, of course, a bestselling novel.) But I’d be very surprised if many of you know Adams’ other major literary works, a novel called Dirk Gently’s Holistic Detective Agency and its sequel, The Long Dark Tea-Time of the Soul. I’ll be honest… I don’t remember them all that well myself. In fact, I’m not certain I ever got around to reading Tea-Time, and the only thing that has stayed with me about the first one is a joke at the expense of my hometown… something about an electric monk who has recently started malfunctioning and is therefore believing in things they’d have a hard time accepting in Salt Lake City.

Well, I thought that was terribly witty when I was in my teens.

Anyhow, somebody remembers the Dirk Gently books, because I’ve just learned via Boing Boing that the BBC has done a TV adaptation of them. Here’s a brief and not-terribly-informative trailer for it:

Might be something worth seeking out. If you like this sort of thing. Which I do. No word on when or if it’s coming to American TV, though…

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A Poem I Wish I’d Written

A few days ago, I received a much-appreciated email from my friend Karen, who’d read my annual holiday mope and wanted to let me know my dark feelings weren’t all that unusual. She also wanted to forward something she thought I’d like, a poem she’d seen that “seemed very much like something [I could] have written.” I smirked at the idea, remembering that my last experiment with this particular literary form was back in 1990, just after I’d broken up with this one particular girl and was convinced there would never be another, and my fate was to be unceasing heartbreak and loneliness and hair-metal ballads about the same. (Hey, I was only 20, and not an especially mature 20-year-old at that). Let us simply say the results of my poetic efforts weren’t exactly, um, good, and then we’ll politely turn away from the sobbing idiot in the corner…
But hey, I didn’t want to look a gift horse in the mouth, as the cliche goes — you see why I wasn’t much of a poet? — so I followed Karen’s link and, well, darned if it does sound like something I could’ve written, if only I had any talent at all for writing poetry. In a strange example of synchronicity, it even evokes my memories of the last year I was driven by hurt to scratch out a few talentless lines of free verse, as if the man I am now were looking back across a couple decades and finally able to say what he wasn’t able to say then, in the way he wanted to say it but couldn’t.
Or something like that. Maybe I just like the imagery of old T-birds and open roads and Cecil B. DeMille. The poem is below the fold, should you wish to read it for yourself…

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100 SF Books Everyone Should Read

No doubt my teenage self would be surprised and disappointed to learn this, but the truth is I don’t read a lot of science fiction anymore, and even when I did, my interests tended toward the less-respectible, less-than-serious stuff: movie tie-ins, old pulp heroes like Doc Savage and John Carter, and space opera. So-called “hard” SF or the tomes with literary and/or philosophical aspirations rarely caught my interest. Which means I’m usually at something of a disadvantage when I’m confronted by those lists of the Great Works that occasionally circulate, because I just haven’t read many of the Great Works. Even so, I always feel the compulsion to throw in my two cents anyway because, you know… they’re lists. And lists, by their very existence, demand that you comment on them, because they’re inevitably just some other person’s ideas of what constitutes greatness, and we all know that mileage varies. Especially when you’re contrary by nature, as I tend to be.

Anyhow, here’s one such list of 100 SF books that everyone supposedly needs to read, discovered and meme-ized by the always-reliable Jaquandor. Following his lead, I shall bold the titles I’ve read, italicize those I own but haven’t gotten around to reading, and color red the ones I do not own but hope to read one of these days. I’ve also added a twist by striking out the handful of titles that I know I never want to read. And of course, there will be commentary. So… onward!

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Who Do I Write Like?

A number of my regular blog-reads have been playing this week with a little doodad that analyzes a sample of your writing and determines which famous writer your style most resembles. Or something. (I cynically suspect it just grabs well-known names at random from a list. But maybe not. What do I know?)

Anyhow, I can’t resist trying these things out for myself, so I plugged in my angry “Synchcronicity II” blog entry from a couple weeks ago and this is what I got:

I write like
Stephen King

I Write Like by Mémoires, Mac journal software. Analyze your writing!


And you know what? That’s fine by me. In fact, it’s awesome. I’ve never felt like I had a “favorite author” the way many people espouse, no one whom I’ve felt compelled to study and memorize and read every single work by that person, but if I’m forced to pick someone, King is usually my answer. He’s vulgar, yes, and frequently self-indulgent, and when he’s off his game, he really stinks up the place. But when he’s good — and he is good more often than his detractors would have you believe — he’s brutally effective in taking readers where he wants them to go. I admire his plain-spoken prose style, his grasp of real-life detail, his ability to make the most outlandish threats seem immediate and real (at least as long as you’re under his spell), and of course his deep understanding of and empathy for lower-middle-class and working-class Americans, a demographic that’s rarely handled with a fair hand, in my opinion.

No other author makes me want to write fiction of my own the way I do after I read something of King’s (although my recent discovery Charlaine Harris comes close).

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Staggering Insecurity

Simon & Schuster, the publisher of Rick Springfield’s upcoming memoir, has posted one of its “Author Revealed” interviews with my main man. It’s pretty meme-ish and inconsequential, but Rick’s answers to three particular questions are indeed revealing:

Q. What’s your greatest flaw?
A. Staggering insecurity
Q. What’s your best quality?
A. Wow, I don’t know if I have one (see above)
Q. If you could be any person or thing, who or what would it be?
A. A better version of me

Not exactly what you’d expect from a rock star who looks as good for his age as he does and who still has women throwing themselves at his feet every night. But that, quite honestly, is part of the reason why I like the guy so much. When I was a kid and “Jessie’s Girl” was on the radio every five minutes, I liked him because I thought he was cool and he recorded music I liked and he was on TV and the girls all thought he was cute. Years later, after I’d rediscovered him and learned where he’d been throughout the ’90s, I liked him because — surprise! — he was a human being with some major frailties, and he wasn’t afraid to talk about them or work them into his music. Moreover, he shared many of the same frailties as yours truly; that “staggering insecurity” thing strikes very close to home for me.

In a weird kind of way, learning that my boyhood idol struggles with his ego and with depression, the same way I do, has been kind of like what happens as you grow up and come to understand your parents as real people instead of omnipotent lords of the household. There is a certain sense that something has been diminished, and that sense is tinged with sadness (at least for me), but your relationship with them is ultimately richer for the discovery of their flaws. You identify more with them because they have been diminished, if that makes sense.

Wow. Did I just say that Rick Springfield is a father figure for me? I don’t think I did, but it certainly sounds that way, doesn’t it?

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A Public Service Announcement

I think this speaks for itself (click on the image if you can’t read the fine print and need to enlarge it):

Rick Springfield book announcement

My man Rick has actually had a pretty colorful — and sometimes difficult — life: He became a teen idol at the improbably advanced age of 32 (when “Jessie’s Girl” hit number one) after years of struggling to find an American audience, and he’s struggled ever since to find respect as a genuine musician instead of a one-bubblegum-hit wonder; he lived for several years with Linda Blair of Exorcist fame — she was all of 15 when they moved in together, and he was a decade older (I imagine that raised a few eyebrows, even in the anything-goes 1970s); he collapsed into a deep depression in the late ’80s, when it seemed his moment had come and gone in such a brief span of time, and he actually contemplated suicide; and now at the age of 60, he’s rebuilt both his musical and acting career, and consistently puts on one of the best live shows I’ve ever seen, even if it’s only his hardcore fans who ever actually see it.

Assuming that he can write prose at all (or has found himself a good ghost writer), I expect all this ought to make for a hell of a read…

At least, that’s my hope. I still remember all too well my excitement at the news that Jimmy Buffett was writing a memoir, and the crushing disappointment when I finally got around to reading it. All those wild experiences and people that surely inspired his songs about swashbucklers and vagabonds, the rumors that he’d made ends meet for a while by smuggling weed from Cuba to Key West, the beer-drinking-and-hell-raising early days of his career… that’s what I expected from A Pirate Looks at Fifty. Instead, I got a fairly boring travelogue written by a middle-aged capitalist who thinks he’s more clever with a turn of phrase than he often is. Rick, old buddy, don’t let me down the way Jimmy did…

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Passages of Interest from On the Road

When I was in San Francisco last year, I did what every tourist with the slightest literary pretension does in that town: I stopped by the famed City Lights Bookstore and bought a copy of Jack Kerouac’s On the Road. It’s one of those classics I’ve always heard the cool kids talking about and meant to read myself, but somehow never quite got around to it. Not until last winter, anyhow.

My plan to blog my reactions to the book that defined an influential subculture never quite materialized, naturally, and given how mushy my memory seems to have become lately, I no longer recall many specifics about it. I do remember liking it in general, although Kerouac’s style gave me some problems. The narrative occasionally slips into stream-of-consciousness — never a technique I’ve liked very much — and the beatnik slang peppered throughout is sometimes, well, laughable. (I recognize, of course, that this is an unfortunate result of time, and that when On the Road was originally published in 1957, the language must’ve been fresh and exciting. Sadly, though, it’s been so parodied over the past 50 years that it’s nearly impossible to encounter it today without thinking of silly stereotypes like Maynard G. Krebs — the “G” is for “Walter” — or a hundred cartoons featuring skinny men in black turtlenecks, sunglasses, and berets who snap their fingers a lot.) On the positive side, however, the book has a genuine verisimilitude, and the reader gets the sense of being privileged to experience an unknown subculture through the eyes of an insider, without any filters or censorship. And Kerouac really captures the restless, hungry-to-see-and-do-it-all energy that consumes many (if not all) young people.

Anyway, I bring this up now because I was sifting through a stack of junk on my desk this afternoon, came across my copy of On the Road (which has been sitting there since, oh, February or thereabouts), and saw that it still had all the sticky-tabs I’d placed on passages I found particularly striking. I thought I’d post some of them here, for my own amusement if no one else’s…

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