Reminiscing

The Disappointment… Oh, How It Burns!

My parents maintained a pretty liberal movie policy when I was growing up. Unlike a lot of Utah households, “R” movies weren’t automatically prohibited from our home simply because of their rating. Instead, my folks — well, my mom, since Dad was never much interested in movies — would do a little research and maybe a preview screening to find out exactly why the movie was rated R. Bad language was no problem, since she correctly assumed that I’d already heard every naughty word in the book (and quite a few that no one’s bothered to write down) while hanging out with my dad in the garage. Violence was likewise allowable, once I got old enough to stop having bad dreams brought on what’s now euphemistically called “intense content” by the MPAA. (For example, she flatly refused to let my uncle take me to see Alien on the big screen when it first came out — I was around nine, as I recall — but she gave her blessing for me to see it on video a couple of years later. Looking back, I think that was a wise decision. I love the flick now, but at nine… well, I probably would’ve had nightmares for years.)

Sex, however, was a little more complicated. Mom generally didn’t get upset at brief flashes of nudity or Benny Hill-style innuendo. (I guess her thinking was that if I was laughing, I couldn’t be getting too many ideas, or maybe she just liked the fact that Dad and I, who generally had so little in common, both enjoyed Benny’s hijinks.) But she became very uncomfortable with anything more, well, educational. This, of course, made such movies intensely appealing to me. However, being a good boy who always followed his mother’s wishes — i.e., a kid who was prone to fantastic bouts of guilt at the thought of “getting in trouble” — I never tried to sneak around behind her back like some kids would’ve. If Mom didn’t think I ought to see something, I didn’t see it. And that’s how I missed out on a landmark movie called Porky’s.

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Adolescent Daydreams…

Remember that yearbook photo I mentioned a couple weeks ago, the one of ZZ Top that my buddy Kurt Stephensen captioned so as to suggest that he, I, and our mutual friend Chad Skinner were the guys with the furry guitars? Well, here it is:

Ah, the fevered imaginations of 14-year-old boys...

I know this is probably of interest to only three guys in the whole world — one of whom is typing this, and the other two may not even know this blog exists — but seeing this shot again after so long brings a smile to my face. It takes me right back to a time and a place when you defined yourself by what music you listened to, being cool was paramount, and your highest ambition was to own a muscle car with a tape deck. A cassette deck, not one of those crappy old 8-track things that were still floating around in ’84. The car would probably have to be done up in gray primer because you couldn’t afford actual paint, not after installing that Blaupunkt. Not that that mattered, though, because the chicks would dig it anyway. We had no solid evidence of this, but it was obvious, right? Because chicks dig cars, man… just look at those ZZ Top videos! They wouldn’t lie to us, would they?

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Streets of Fire: The Glamourous ’80s

I watched a movie on DVD last night that I’ve heard about for years but somehow never gotten around to seeing, an odd little flick directed by Walter Hill called Streets of Fire.

Subtitled “A Rock & Roll Fable,” Streets of Fire seems to have been deliberately designed to become a cult classic. The plot is basic and more than a little silly: an evil motorcycle gang kidnaps a beautiful young singer; her former boyfriend and miscellaneous sidekicks venture into hostile territory to rescue her; and then they all fight their way back out and prepare for a big confrontation with the gang’s leader. The dialogue is utilitarian at best and the performances so uniformly stiff that I can only assume everyone was directed to act as woodenly as possible. (I blame the direction because we have plenty of evidence from other films that this cast — which includes a very young Willem Dafoe, Amy Madigan, and the ultra-yummy Diane Lane — really can, you know, act.) What makes Streets of Fire at all noteworthy is the film’s look: it’s set in some weird parallel-universe urban environment where women wear shoulder pads and fingerless gloves like all the girIs I remember seeing from high school, but the men all look like they just stepped out of Rebel Without a Cause. Well, all except for the bad guys, who look less like the hard-ass outlaw bikers they’re supposed to be than leatherboys from San Francisco’s Castro District. The streets of this city-without-a-name are always dark and wet, smeared with reflected colors from the neon overhead, and all the cars are vintage. And of course, as the title promises, there are lots of pretty flames flickering behind the action. In short, the movie represents a total triumph of style over substance.

Not that this is necessarily a bad thing; as harsh as all of the above sounds, I really did enjoy the movie. It even helped me put my finger on something I’ve been thinking about for a while, and that’s got to say something for its merits.

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Saying Farewell

The past few days have been absolutely gorgeous here in the SLC, like a soft, sweet goodbye kiss from your summertime love before she heads back to school. Monday was especially lovely. It was the sort of day that convinces me that God must own a ragtop — the sky was tall and clear, the details of the Wasatch Mountains stood out in sharp focus, and the southerly breeze puffed gently instead of gusting. As luck would have it, I wasn’t at work on Monday… but I also wasn’t where I wanted to be, driving the valley and canyons with the top down and the tunes cranked. Instead, I spent much of the day under a blankie on the couch, suffering from my annual change-of-the-season head cold. A miserable waste of a nice day, even if I did get to watch seven hours of Northern Exposure. That kind of DVD marathon is a rare luxury these days, and aside from not being able to breathe and the occasional coughing fit, I enjoyed it.

There was one other good thing about being home sick on Monday: it gave me the chance to see my parents’ old truck and camper leave the Bennion Compound for the last time.

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Sears Wishbook

Courtesy of Boing Boing, I’ve just stumbled onto an absolutely amazing time-capsule: somebody with lots of time on their hands has scanned what looks to be the entire 1983 Sears Wishbook for our Friday viewing pleasure.

I used to love the Sears Wishbook when I was a kid, as well as a similar catalog published by a local Utah retailer called LaBelle’s. (I think LaBelle’s was local — I don’t recall ever hearing about it being in other states — but I’m not sure. I may not even be spelling the name correctly. The company carried appliances, electronics, impractical gift items, and fancies for the home; it folded sometime in the late ’80s, as I recall.) Reviewing these doorstop-sized paeans to materialism was practically an autumn ritual at my home; I can remember sitting by the fireplace with my mom around Thanksgiving time, paging through the Wishbook and the LaBelle’s catalog and circling all the must-have Christmas items with a red Magic Marker. Naturally, I was most interested in the toy pages, especially when they featured some new Star Wars figures, but looking at this online archived version today, I find myself gravitating toward the items that no one really thought to hold onto or collect, the everyday goods that remind me of what it was really like to live in 1983. Seen through my usual haze of nostalgia, twenty years ago doesn’t seem that far away to me, but so much of this stuff looks so archaic when you really look at it, especially the electronics with all their tacky, faux-woodgrain cabinets… wow. My late grandmother’s antique ’30s-vintage radio (which now resides in my living room) actually looks more timeless than that stuff.

Here are some highlights:

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My Goal List, ca. 1992

Writing last week about my Cambridge adventure reminded me of something I ran across as I was cleaning up after The Great Water-Filter Containment Failure and Basement Flood of 2006. It’s a padfolio, one of those cheap vinyl folder-thingies that you sometimes get as freebies at business functions, the ones that contain a mini-sized legal pad, a pen, and a pocket for miscellaneous papers. This particular padfolio is a souvenir of “Cinemark Customer Service University,” a corporate training session I attended during my old multiplex days. Yes, it’s true — my minimum-wage, name-badge-wearing joe-job at the movie theater required me to attend a half-day company pep-relly on how to become a better ticket-taker. As I recall, the path to usher’s nirvana basically involved more diligence in between-show lobby cleaning and never, ever questioning theater management about anything. As I further recall, this propaganda session and its breathlessly enthusiastic mantra of total obeisance to people who didn’t have as much on the ball as my pet duck was one of the final straws that convinced me it was time to start looking for a more grown-up occupation. (True story: the day I finally quit, I had to explain to my manager what I meant when I said, “I tender my resignation.” He’d never heard that expression before. And this was the guy I was supposed to bow and scrape to because he was my “superior.” Oy.)

Sour grapes aside, I’m not one to throw away free stuff, so, naturally, I used the padfolio and, naturally, I’ve still got it. And I’m sure by this point you’re all muttering under your breath, “Yes, fine, Bennion, we all know you tend to horde crap, but what has this got to do with Cambridge?” I was just getting to that…

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Homemade Toys

A week or so back, I followed a link from Boing Boing to a wonderfully nostalgic LiveJournal entry in which the author recounts how he saved a beloved childhood toy from the junkheap. This particular toy was made for him by his father some time in the late ’60s; it’s a spaceship control console, probably inspired by Star Trek or Lost in Space, built of plywood and decked out with knobs, toggle switches, big ol’ throttle levers, and, best of all, working lights and motorized, spinning “scanner screens.” The entry includes several photographs of the console, and it’s truly a beautiful relic of a time that now seems impossibly remote, before Xboxes and iPods and all the other things that kids think they need these days to have a good time.

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A Movie Producer, Slasher Flicks, and a Good Friendship

The news is over a week old now, but I’d still like to acknowledge the recent death of Moustapha Akkad. He was the producer of the Halloween movies, the man who made certain that “the boogeyman,” Michael Myers, kept coming back time and time again, long after the character’s creator had moved on to other projects and the series itself had become something of a joke. Some would say that’s nothing worthy of commemorating — heaven knows I’ve done plenty of my own grumbling about endless strings of sequels that diminish the strengths and reputations of their original films with each new entry in the series — but if it wasn’t for Akkad’s periodic trips back to Myers’ well, I very possibly would not have met one of my best friends.

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The Halloween That Never Was

I don’t know about you, but I thought Halloween was a bit of a bust this year. The month of October came and went so quickly for Anne and myself that we never quite managed to get into the spirit of things. Neither of us found the time to decorate our places, and when my favorite holiday arrived, it may as well have been any other sleepy Monday night in The SLC. We received a grand total of two trick-or-treaters at her apartment, a far cry from our remembered childhood times when the doorbells rang until well after the candy buckets were empty and the grown-ups were down to handing out Ritz crackers and the Tic-Tacs they scavenged from the car seats. Ah, well, c’est la vie, I guess. There’s always next year, when we’ll be sure to do something really cool.

Or maybe not. In my experience, making plans for holidays to come is often a recipe for disappointment. Allow me to illustrate…

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Bennion’s Top Ten Halloween Movies

I love this time of the year, with its mildly warm afternoons and crisp, dark nights (what my buddy Cheno calls “jacket weather”). I love the colors of the harvest: yellows, golds, oranges and browns, colors that evoke a pleasant childhood in the 1970s. I love the rattle of dried cornstalks, now more often store-bought than standing in the fields, and the smell of woodsmoke rising from chimneys (sadly, that’s one I don’t notice so much anymore; wood-burning fireplaces are fading into history, I guess). I love the way the autumn sunlight slants across the lawns in great amber patches like the dimming embers of the summer just ended. And I love Halloween.

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