Music

Coffee in Sugarhouse

This past weekend found me enjoying the springtime weather in Salt Lake’s Sugarhouse area, which, for you out-of-towners, is the closest thing to a Bohemian district we have in these parts. Back when I was a student at the nearby University of Utah, it was a run-down pit: eight or ten square blocks of decaying bungalows, boarded-up storefronts, seedy coffeehouses, and leftover head-shops run by guys who hadn’t gotten the memo about the ’60s being over. It was the place you went if you wanted to have your fortune told or your nose pierced. It was probably also the place you went if you wanted to score some weed, although I personally wouldn’t know about that. That was never my thing.

I loved Sugarhouse back then. I loved the mildly disreputable atmosphere, and the heady smells of patchouli and tobacco and old-building mustiness that wafted from open doors. I loved to shop in the weird little holes-in-the-wall where you could buy a statue of Ganesh or a cheap “pre-owned” paperback of On the Road. And I loved to watch all the exotic people: punks, metalheads, flower children, gypsies, derelicts. To a kid from the white-bread suburban frontier of the straightest city in America, it was deliriously cool.

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Begin the Beguine

For the record, my musical tastes mostly run to classic rock and blues. Over the years, however, I’ve rounded out my CD collection with odds and ends from other genres, including a fairly large number of movie soundtracks. (No surprise there, given my other interests.) The wonderful thing about soundtracks is that they often span across all the other musical genres, since the music selected for any given film needs to complement the film’s setting and mood. Because of soundtracks, I’ve discovered a whole range of music and artists I otherwise wouldn’t know about. For example, it was on a movie soundtrack that I first remember hearing the song, “Begin the Beguine.”

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My New Theme Song

The frequent visitor to Simple Tricks has probably noticed that I am prone to frequent and often uncontrollable attacks of nostalgia. What can I say? I’m well on my way to becoming one of those boring old farts who is convinced that the modern world is going to hell in a bucket and that everything was much better back in the day. As near as I can tell, this process of codgerification began right around the time kids started to talk about something called “grunge” and could no longer identify Night Ranger as the band who recorded “Sister Christian.” The rate of decay accelerated to light-speed when I realized that most of them couldn’t even identify “Sister Christian.”

In that vein of grimly humorous pop-cultural disenfranchisement, allow me to present the lyrics for my new theme song, a little ditty called “1985” by the band Bowling for Soup. It may help you better understand where I’m coming from. At the very least, it will give you something to read while I continue banging away at a very long political post…

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The Fuss Over Cobain

I’ve been reading all over the ‘net that today is the tenth anniversary of the suicide of Kurt Cobain, the troubled, heroin-addled lead singer of the seminal grunge band Nirvana. Two of my favorite bloggers, John Scalzi and Wil Wheaton, have commented on this event in heartfelt, if somewhat ambivalent, entries. Personally, I feel no ambivalence on this subject.

I don’t care.

I didn’t care about Cobain when he was alive, I didn’t care when I first heard he was dead, and I certainly don’t care that it’s been a decade since his death.

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