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And Now, For No Particular Reason…

…a photograph of Ernest Hemingway that I rather like:

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This was taken in 1947 at his home in Cuba, and I just like the whole vibe here. He looks relaxed and healthy and confident, a larger-than-life man at the top of his game.

Incidentally, if you’re into Papa H, a new edition of A Farewell to Arms was published last week containing all 47 alternate endings he tried out and ultimately abandoned, packaged inside the original cover art. Looks like an interesting volume, although to be honest I haven’t read Farewell since high school and don’t recall being terribly moved by it. Perhaps it’s time to revisit it…

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The Reality of Tomorrow

A couple weeks ago, I started following a site (not sure if you could call it a blog or a comic strip or what) called Zen Pencils: Cartoon Quotes from Inspirational Folks, which is pretty much exactly what it sounds like. The proprietor, an artist called Gavin Aung Than, illustrates poems, speeches, witticisms, and observations made by admirable people, ranging from Ralph Waldo Emerson and the Dalai Lama to Carl Sagan and Neil Gaiman. Normally this wouldn’t really be my thing, cynic that I am, but many of Gavin’s concepts are quite wonderful, and they’re all very well executed, without the sticky schmaltz that so often goes along with would-be inspirational stuff. I especially liked today‘s:

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Great imagery in general, and the lighting effect on Goddard’s gravestone as the Saturn V raises the goose pimples on my arms. By coincidence — or maybe not — yesterday was the anniversary of Apollo 11’s launch; this coming Friday, the 20th, will mark 43 years since Neil Armstrong took that giant leap for mankind, the one we’re still trying to catch up to. Neat stuff…

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So, That Previous Entry…

It was a little too much, wasn’t it? That’s what I’m thinking in retrospect, anyhow. My initial purpose in writing it was simply to vent about a situation that annoys the hell out of me every single year, i.e., the necessity to rope off the front of my property for an entire week because the small-time parades of my childhood have turned into a Big Damn Deal, and I’ve come to really dislike Big Damn Deals as I’ve gotten older. But once I got into the thick of it and tapped into my “Wonder Years voiceover voice” and started trying to spin out some deeper interpretation of what this event was all about, well, I think maybe I fell into my own bellybutton. Sorry about that, kids. I should’ve stuck more to the basic point.

I know I shouldn’t be feeling so abashed over this. It’s really not a bad entry, and it’s also not like I’ve never rambled on a little too much, or gotten a little grandiose in my unfounded claims, or published an entry that was only half-baked, before. Hell, I’ve been blogging almost a decade now; they can’t all be gems, can they? But lately, I’ve been been having so much trouble finding the time for this silly hobby — you may have noticed how infrequent my posts have become — that I guess I just want everything to be a home run to make up for the lack of production, you know? I read so many wonderful, insightful, sharp, powerful things out there on the ‘webs, and I want my own stuff to be like that. But very often, perhaps even most of the time, I know I fall short. And it bothers me. Deeply.

There are other frustrations as well. This used to be so easy, and so fun. I could dash off a thousand words on a moment’s notice about nothing at all, and feel satisfied that it was good. Or at least amusing. At least amusing to me. But now… now when I do manage to start writing something here, the words come so slowly and with such effort… it’s like I’ve run out of things to say, or worse, run out of whatever special thing I had inside that allowed me to say them. My mojo, for lack of a better word. And I fear that it might be a permanent loss. I fear it’s a sign I’m getting old, that a window is closing.

As pathetic as I’m afraid this is going to sound, I have to admit it: Simple Tricks and Nonsense is the last remaining vestige of the dreams I used to have of being a genuine creative writer, and to feel like I’m now losing even this… well, “frustrating” isn’t a big enough word to cover it. Neither is “shattering” or “terrifying.” What are you left with when the thing you’ve used to define yourself, the one idea that you’ve clung to in your deepest heart-of-hearts, ever since you were 15 years old finally slips away? I really don’t want to find out…

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Incidentally, I wasn’t exaggerating about the inconsiderate jackasses leaving behind their garbage after the parade. A broken plastic lawn chair has been lying on the property line between my front yard and the senior-citizens’ rec center next door for two weeks now. The groundskeeping crew for the senior center won’t dispose of it, because, apparently, that’s not in their job description. And obviously the owner of said chair just assumes somebody else will take care of it for them. God forbid they should take responsibility for their own crap. And you wonder why I get so pissed off when the placemarkers start going up for that simple little small-town Fourth of July parade?

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Get Off My Lawn! (Literally!)

When I was a boy, I thought living on the route of my hometown’s Fourth of July parade was just great. (Why, yes, I did like Frosted Flakes as a boy. Why do you ask?) But then, things were different then.

For one thing, the parades were held in the morning, and on the actual holiday, rather than on the evening of the day before as they are now. In those halcyon days of the mid-1970s, Riverton was just a sunbaked farm town where the local good ol’ boys whiled away their mornings over cups of joe and slow-burning butts at the counter of the local cafe, and there were as many tractors and combines running up and down the main drag as pickups and cars. Back then, our Independence Day revels began at dawn with the sounding of the yellow, barrel-shaped air-raid siren that used to be crouched on top of a telephone pole behind the town hall. Which just happened to be kitty-corner across the street from my house. If you’ve never heard one of those things, take it from me, there isn’t a living creature on this planet that could sleep through their unholy Banshee’s wail. I remember sitting straight up in bed with my heart hammering away inside my rib cage, year after year, and my dad answering the Banshee with an eruption of profanity that would have left human-shaped shadows singed into the walls, atomic-bomb style, if anyone had been unfortunate enough to be standing at the foot of his bed. After a couple minutes of this clamour, the siren would fall silent, and then, while our ears were still ringing, along came the old sound truck. This was a green 1950s-vintage panel truck with four huge, horn-shaped PA speakers mounted on the roof. The driver — I’m sure my parents could tell me the guy’s name, as he was undoubtedly one of those good ol’ boys from the cafe — would be yammering away over the speakers, exhorting everyone in town to get up and come on down to the city park for an old-fashioned pancake breakfast. My dad usually had some very specific ideas about what that guy could do with his pancakes; I don’t recall my parents or me ever going to that community cookout. The three-person Bennion clan always made our own holiday breakfasts.

Then it was time to get ready for the parade. Dad would put our lawn chairs out in front while most of the townsfolk were still wandering toward the park in search of pancakes, but I don’t recall there ever being any particular sense of urgency about it. Nobody would think of squatting on a lawn that didn’t belong to them, at least not without asking permission, or at least not until the parade was underway and everything became fair game. Around nine o’clock or so in the morning, the normally busy road in front of my house would become eerily still. And about 45 minutes later (the parade has always started about a mile from my house and it takes a while for the slow-moving procession to reach the Bennion Compound), the floats and marching bands and horseback companies and fire engines would begin to stream past. Teenaged beauty queens beamed at their neighbors, salt-water taffy and little boxes of Chiclets and Bazooka Joe rained down on the children lining the street, and the same antique cars and novelty acts we saw every bloody year would roll past, and the spectators would wave and clap and smile as if it were the first time. These parades of my hazy, sepia-toned memories comprised our friends, our neighbors, people we knew… they were family, often in a literal sense — it was a small town, after all — but always in a metaphorical one. Back then, the parade was a ritual that seemed to actually mean something; it wasn’t just a way to occupy the kiddies with gathering free candy for an hour (although that was certainly an aspect of it). The parade reinforced a sense of belonging to something: a place, a community, a town. And when it ended, there were old-fashioned, homespun activities all day in the park, cheesy midway games and hamburger grills and plastic wading pools filled with iced watermelon and friendly horseshoe-pitching competitions, all of it leading up to the big finale, the fireworks that would fill the sky just after sundown. Rude awakening aside, Riverton’s Fourth of July used to be a pretty low-key, and yet thoroughly satisfying, affair. It was cornball, yes, but it was also organic and homegrown, and it was good.

That’s how it used to be.

Today, I still live in the same old house, and the parade still passes right in front of it, but practically everything else has changed. Riverton is now just another anonymous suburb, with a population several times the size of what it was during my childhood. And our small-town Independence Day is now such a Big Damn Deal that it has to spread itself across two days instead of one. Now, instead of fun and games provided by the Lion’s Club and the local church wards and the familiar good ol’ boys, there’s a traveling carnival every year at the park, and concession stands selling national-chain fast food, and the fireworks are electronically synchronized and spectacular. Everything about the Fourth is bigger and more professional now, more sophisticated… and somehow it’s less than it was, too. It feels… commercial. Store-bought. It isn’t ours anymore, it’s just something we ordered on Amazon. As for living on the parade route… well, that’s turned into a royal pain in the tuchus.  The fun little small-town event that used to bring us closer together has metastasized into an overblown, stress-filled competition in which inconsiderate jackasses will do whatever they can to ensure themselves a seat, because there are now so damn many people living in this town and everyone wants to bring their kids to the parade for that free candy, but the route is still only a mile long, and seats are a precious commodity. People start staking their claims with chairs and coolers and yellow caution tape days before the parade — this year, they made their appearance a full week ahead of timet — and people just leave them there all up and down the road, unwatched eyesores, to mark their territory. The competition doesn’t end there, though; I’ve personally witnessed soccer moms jump out of their SUVs, toss aside someone else’s chairs, and set up their own in the same spot. The whole sad, sorry spectacle makes my stomach turn. It’s just a damn parade, people.

I don’t remember when this whole thing became such a BDD. It’s come on slowly, over the space of a couple decades, like that tired old saw about the frog in the pot of water that’s gradually heating up. I only know that for at least the past decade, I have been obligated to set out my own chairs at the first sign that the land-grab is beginning, or risk having squatters we don’t know and didn’t invite plant their crap in my park strip for seven days. Because they would, without a second’s thought. It isn’t that I mind sharing my frontage with others — hell, given my work and commute schedule, I don’t even get home until the stupid parade is half over, so somebody may as well use the space — but I do mind the way people don’t even bother to ask. They just swoop in and drop their junk and expect you to put up with their placeholders sitting on your property for a week, and then they and their rambunctious little carpet monkeys show up for the party you didn’t want to throw, and they get huffy as hell if you ask them to make room for you and your own invited guests, or request that they not make a hellacious mess with their Subway wrappers and Super Big Gulps and juice boxes. And inevitably when it’s all over, they leave behind a pile of garbage that I have to pick up and put in my bin, because these disrespectful freaking slobs apparently don’t see anything wrong with expecting strangers to clean up after them.

And I guess that’s the difference… in the ’70s, most everybody in town knew each other, or at least knew of each other. There weren’t that many people here, and we interacted with each other pretty regularly, so you couldn’t really get away with being an ass. Today we’re all mostly strangers, isolated in our cul de sacs and our hermetically sealed vehicles, and our hermetically sealed lives that mostly happen far away from the places where we cook and sleep. Nobody really cares anymore about inconveniencing somebody else, because they’re not likely to bump into you at the grocery store, and even if they do, they won’t recognize you. With a population count of nearly 40,000, how could it be otherwise?

The ironic thing is that the damn parade isn’t even any good anymore. It’s degenerated into little more than a long line of politicians in convertibles and jacked-up 4x4s with the names of businesses on their sides, and wave after wave of military and law-enforcement vehicles. It’s almost enough to make me want to stay at the office and put in some overtime…

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Further Friend Pimpage

Following in the path of the previous entry, I thought I’d quickly note some recent accomplishments by a couple of my other friends:

  • I’ve known Mike Gillilan since our days tearing tickets and running 35mm film projectors together at good ol’ Movies 7 (later Movies 9, after the addition of a couple more auditoriums), way back in the early ’90s. He was an accomplished photographer even then — he took some of my favorite pics of myself from that time period, several of which I have hanging on the wall of my living room — and now he’s teetering on the razor’s edge of finally going pro. He’s particularly interested in high-performance cars and Le Mans-style racing, and he’s currently a contributor to a motorsports blog called The Daily Derbi. Got all that? Okay, well, last week, Mike posted an image he took of a Honda Fit doing its thing in the Pirelli World Challenge to the Daily Derbi’s Weekend Wallpaper feature (Mike’s regular gig with the Derbi). Not long after that, the official Honda racing team, a.k.a. Honda Performance Development, tweeted a link to Mike’s photo. Way to get noticed, man!
  • Meanwhile, another friend, Melissa Warner, is part of a musical group called The Royal We (official Facebook page here). With an acoustic sound built on the vocal harmonies of Melissa and bandmate Stacey Board, they’re somewhat reminiscent of Shawn Colvin, and they’ve now got a six-song EP available for download at CD Baby. Go test drive a couple of tracks and see what you think!

That is all for now. Man, I really need to get cracking and do something worth pimping for myself…

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I Knew Her When…

Longtime readers (and certainly my Facebook friends and Twitter followers) may have noticed that I sometimes have a tendency to gripe about my job. Occasionally. From time to time. Okay, often. That’s because… well, because it’s what I do. I’m the sort who vents about the things that irritate me, rather than bottling it all up, and lots of things irritate me during the course of your average day. Not to mention what it’s like on not-average days, which seem to come up in my line of employment with distressing frequency, especially during the warmer months, when the livin’ is supposed to be easy — or so we’ve been led to believe — but for some reason always seem to be the most hectic time of the year for me. You know, The Girlfriend and I are currently making our way through the original Twilight Zone, the classic TV series created by Rod Serling that ran from 1959 to ’64 (as opposed to the various revival attempts of more recent years) and I find it grimly amusing that so far in Season One alone, there’ve been two episodes dealing with stressed-out advertising executives who yearn for escape to a simpler, slower-paced, more humane way of life. I don’t know if Serling ever worked in advertising himself, but he definitely understood the environment. I can’t tell you how many days I have when I basically feel just like this:POTC_little-busy-right-now(In case you’re wondering, that animation comes from a really great blog called This Advertising Life, which seeks to convey “the emotions of a working life in advertising as told through gifs.” I don’t know how funny it might be for civilians who don’t work in the industry, but as far as I’m concerned, it’s dead-on-target ROTFL time. Browse through it a little bit and perhaps you’ll begin to understand why I get so frazzled and grumpy.)

Believe it or not, though, I really don’t dislike my job, despite the impression I probably give with all the bitching. I often get insanely frustrated with it, true, but in the big-picture view, there are actually a lot of great things about working where I do, and I know I don’t talk enough about those things. For example, in the almost-seven years I’ve been with this particular agency, I have met an astounding number of smart, creative, interesting, quirky, funny, extremely cool (and frequently very attractive, which is a nice bonus) human beings. I’ve even been fortunate enough to become friends with some of these people, and by “friends” I mean the sort of people who actually welcome you into their homes and introduce you to their children and pets.

One such person is a lovely woman named Diane Olson. Her background is in journalism, but her passion is in the natural world, specifically the things that live in her (and everybody else’s) own backyard. (I’m pretty confident I’m not likely to ever meet anyone who knows more about gardening than Diane.) For 17 years, she combined these aspects of her character to produce a regular column called “Urban Almanac” for Catalyst magazine, Salt Lake’s local alternative monthly. Then, in an completely unexpected bolt from the blue about two years ago, she was approached by a local publishing house about turning that column into a full-length book. It took her much wailing and gnashing of teeth to crank it out while also holding down a demanding agency gig, but somehow she pulled it off, and now, finally, that book is available for everyone reading this to purchase!

Diane's book
A Nature Lover’s Almanac: Kinky Bugs, Stealthy Critters, Prosperous Plants & Celestial Wonders is a nifty little volume of collected science factoids and gardening tips, one for each day of the year, some of which are truly obscure and mind-boggling. For instance, did you know grasshoppers are at their loudest when the air is 95 degrees, and they can’t sing at all below 62? (That’s the entry for August 19th; it’s a small thing, but it fascinates me… I mean, why?) The book is sized like a pocket field guide, with rounded corners so it’ll slide in and out of your pocket easily and a sturdy flat binding, and it’s beautifully illustrated by another Catalyst alum, Adele Flail. If you have any interest at all in nature or in growing things — or even if you just enjoy looking at something fun and breezy over breakfast every morning — I highly recommend it.

Diane told me once it’s been her lifelong dream to write a book and see her name on a shelf at her local library; she’s positively giddy now that it’s happened, and I am very, very happy for her. She’s managed to do what pretty much every copywriter (and certainly this particular proofreader) in the advertising business aspires to do: she’s become a published author. And the least I can do for my friend is congratulate her and give her a plug with whatever modest audience I happen to reach with this forum. If you think you might be interested in A Nature Lover’s Almanac, you can see all the details about it on the publisher’s page here, and you can order it through Amazon.com here.

Oh, one final note: I don’t think Diane will mind if I note that I helped out with the book’s title. The “celestial wonders” part was my suggestion. And yes, I’m pretty proud of that… now what are you waiting around here for? Go buy yourself a copy! (I have two copies myself!)

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Tourist Traps of the Future

James Lileks. His Daily Bleat was one of the first blogs I ever encountered, well over 10 years ago — man, that’s hard to process, that I’ve been reading blogs for over a decade — and I’ve been a more-or-less faithful reader ever since. But I have to confess, there have been times when I’ve been tempted to walk away from him for good. While I share his affinity for mid-20th century ephemera, architecture, and culture, he can be so bloody confounding at times. I disagree with his politics, and find him pretty unbearable when he veers into that domain; his frequent schtick of transcribing customer service encounters in minute detail has grown tiresome; his hatred of all things 1970s is tedious (I actually quite liked that decade; it was a good time to be a child); and his curmudgeonly attitude sometimes gets to be a little too much even for me, a fellow member of the august tribe of misanthropic “get off my lawn” types.

But then, just when I’m ready to pull the plug, he goes and writes something like this (he’s referring to last week’s news that the Voyager 1 space probe, launched in the landmark year 1977, is finally crossing the threshold from our solar system into interstellar space):

I’d like to think it’s not the last we’ve seen of it. If we build fast engines and get out there someday, someone will go looking for it. But it would be wrong to bring it home; that’s not its place. It would be a tourist attraction, like the ruins of an old colonial fort from the 17th century. Pass alongside, snap a picture: if you’ll look out the portside windows, we’re passing Voyager 1, which has a record containing the music of Chuck Berry and Beethoven. What haunts me is the idea that it will never be found, the record never be heard, and long after the sun has guttered out, the idea of Beethoven, unrealized, floats in an empty void, an arrangement of code.

As a would-be writer, I envy that paragraph. It’s an idea I wish I’d had, expressed more eloquently than I know I probably would. And as a space buff and a die-hard romantic, it makes me wistful. It’s a vision that I hope comes true. I can see it so clearly in my imagination: hundreds of passengers lining a futuristic version of a modern-day cruise ship’s promenade railing, pressing against floor-to-ceiling viewports that have been uncovered for just this occasion, straining to catch a glimpse of a historical treasure. The anticipation builds. A couple of people point excitedly at spots that turn out to be nothing at all, false sightings. Then the ship’s officers helpfully announce over the speakers where the crowd should look… and there it is, the legendary Flying Dutchman of space… a tiny, fragile-looking thing, pitted and scoured by centuries of exposure to interstellar dust and micrometeorites, glistening faintly like a dragonfly in the glare of the liner’s external floodlights. Its nuclear powercells are going cold, its transmitter no longer calls home, but somehow, improbably, it’s still going — still voyaging — ever outward…

I wish I could be there to see it, to experience a passage like that. Now that would be something to write about…

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Of Course, It’s Ironic…

…that I set up dlvr.it today in order to push notifications of new blog entries all over the place when I’m currently doing such a lousy job of actually writing new blog entries. Sigh. In lieu of any actual new content, please enjoy this somewhat-relevant musical trifle:

 

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Great Opening Lines: Lost Horizon

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A few entries back, I made a passing reference to James Hilton’s 1933 novel Lost Horizon, in which survivors of a plane crash find their way to a Tibetan lamasery high in the Himalayas, whose inhabitants don’t appear to age and who live in perfect peace and contentment in their isolation from the outside world. Sadly, this novel doesn’t seem to be very well remembered today, or at least that’s my impression, considering I’ve never met anyone who’s actually read it, and not many more who’ve even heard of it. It’s shocking to me that something could fall so far into obscurity in spite of being a huge bestseller in its time as well as the basis for two movie adaptations (in 1937 and 1973) and the source of an idea that still has currency in the pop-cultural hivemind (i.e., Shangri-La). I’m willing to bet most of the people who saw The Mummy: Tomb of the Dragon Emperor thought the screenwriters came up with that notion all on their own. Oh, and just as a historical aside, Lost Horizon also has the distinction of being the first book published in the format we now know as the “mass-market paperback”; it was, in fact, Pocket Books #1.

My own memories of this novel go back to early childhood. My mother had a copy of it, which sat for years in a cupboard in my basement playroom (now the fabulous Bennion Archive, a sort of Shangri-La in itself), right alongside a copy of Alive, that infamous nonfiction book about those Uruguayan rugby players who resorted to cannibalism after their plane crashed in the Andes. Apparently my mom had a thing about high-mountain plane crashes or something. Anyway, I was long intrigued by the cover of her edition of Lost Horizon, which you can see above. The glowing green valley in the middle of the icy blue backgrounds whispered to me of magic and wonder; for a kid who’d already somehow developed a taste for decades-old pulp-fiction stories about adventurers and explorers encountering lost civilizations, that image held a magnetic lure. And yet, weirdly enough, I never got around to actually reading the book until my college years. And I’m somewhat ashamed to admit that I don’t remember much about it now — my retention for books appears to have gone to hell in recent years. I remember the basic premise, of course, and that I enjoyed it. But all the details are gone. Well, almost all of them. As it happens, I do recall the opening line, which struck me then and now as a wonderful articulation of something everyone has probably felt, but rarely thought to put into words:

Cigars had burned low, and we were beginning to sample the disillusionment that usually afflicts old school friends who have met again as men and found themselves with less in common than they had believed they had.

Stories work differently upon us depending on what’s happening in our lives when we encounter them. Maybe that line stuck in my mind because I had just experienced that same disillusion for myself around the time I read Lost Horizon. Or maybe something in my psychology is properly tuned for that sentiment to resonate. Or perhaps there’s just such a quiet truth to it that it couldn’t help but make an impression on me. Whatever the reason, those words have stayed with me for 20 years now while all the ones that follow them have evaporated.
Photo: 73rd Pocket Books printing of Hilton’s Lost Horizon, 1971; source.

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