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In Memoriam: Walter Cronkite

“And that’s the way it is.”

When the late Walter Cronkite said that at the conclusion of each of his broadcasts, people believed him. There was no automatic assumption of partisan bias in the media, and if anyone ever accused him of spinning a story to the advantage of one political cause or another, I’m not aware of it. Of course, things were different in his heyday, the 1960s and ’70s. Newsmen of Cronkite’s generation strove, for the most part, to deliver the impartial facts, and that’s what viewers and readers expected to receive. Not the phony-baloney “balance” of today, when both sides of any debate are given equal credibility and weight, even when one of them is clearly wrong, ignorant, or batshit-crazy. Not reporting that reinforces the viewer’s own ideology and view of the world. But facts, carefully gathered through good old-fashioned shoe-leather journalism, research, and vetting. On the rare occasion when Cronkite did offer his personal opinion — as in his well-known 1968 editorial statement that the Vietnam War was unwinnable — he spoke with an authority that was earned from a thorough understanding of the subject. The anchorpeople today are mostly just reading copy written by someone else.

Walter Cronkite was one of a small handful of men I find difficult to describe in any meaningful way beyond saying, “he was a neat guy.” Like Johnny Carson or Ricardo Montalban, two other “neat guys” I grew up instinctively admiring, Cronkite emanated a particular sort of very appealing masculinity. It wasn’t a macho thing. It was based less on physical prowess or good looks than on intelligence, kindness, a sense of fair play, the confidence of one who knows his job and loves doing it well, and above all else, an air of dignity. Just try to imagine Cronkite reading the superficial pap that passes for news today… can you picture him discussing Jon and Kate What’s-Their-Names, or who’s likely to win American Idol? Or hosting one of those sexual-predator entrapment hours or talking day after day about Michael Jackson’s death? Can you hear his voice running down the more tawdry details of the Clinton-Lewinsky scandal? No? I’m not surprised. His definition of journalism wouldn’t have included that sort of tabloid nonsense.

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The Future Isn’t What It Used to Be

There’s an empty storefront on Main Street here in downtown SLC, just across from the light-rail station where I get off in the mornings, in which someone has set up two big video displays in the windows, one on either side of the door. These displays run an endless loop of PSAs and promos for the Salt Lake Film Society, presumably for the purpose of informing and entertaining the captive audiences who are standing around waiting for their trains. Or something. Personally, I don’t find the vids all that entertaining or informing most of the time. Moreover, I find I’m increasingly annoyed by the ubiquity of video screens in our environment. Ironic, I know, given my primary interests and hobbies, but honestly, there are times when I’d really rather not have the distraction. At least the loop changes every couple of days so I don’t have to see and hear the same damn thing day after day. And every once in a while, something will turn up that actually catches my interest.
Today, for example, the screens were running the original trailer for 2001: A Space Odyssey. (I have no idea if this has anything to do with all the Apollo anniversary stuff going on, or if it’s pure coincidence.) Well, naturally I had to stand and watch that iconic footage before heading on into the office.

Somehow, though, the experience of watching scenes from 2001 projected onto the window of an empty storefront in the year 2009, with a dreadlocked homeless guy reflected in the glass, is curiously lacking in magic…

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More Apollo Goodness

So, for the past several hours, I’ve been listening here at work to that Apollo audio feed I wrote about last night. It’s something of a strange experience, to be honest… I’m very conscious of the fact that this is a recording, that I’m sitting in my cubicle in the year 2009 and that everything I’m hearing happened two months before I was even born, and yet it all seems so immediate. I find myself feeling genuine anxiety as I wait for the next exchange, wondering what’s happening up there and what the astronauts and controllers are doing right now. And then I remember that I ought to be thinking in the past tense, that there is no spacecraft currently zooming outward from the earth at 11,000 feet per second, that some of the voices on this feed belong to people who aren’t even alive anymore, and I feel a little silly. But I keep listening anyhow.

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Ignition Sequence Start

Only a few hours from now, we will mark the 40th anniversary of the launch of Apollo 11, the spaceflight mission that delivered Neil Armstrong, Buzz Aldrin, and Mike Collins to the moon. I personally consider the Apollo program the greatest achievement of the human species, a feat of engineering, scientific know-how, and technological advancement that has yet to be matched or surpassed, as well as a testament to humanity’s perseverance and courage. It breaks my heart that so few people today seem to care that once, not so very long ago, mankind found a way to actually leave our planet and go somewhere else. In person, not by robotic proxy. To stand on soil that had never felt a human footprint and just… experience it. To fulfill our heritage and our destiny as explorers, just like the first hunter-gatherers who decided to walk over the hill and see what was over there. How can people not find that absolutely thrilling? And let’s not even speak of those who don’t believe we went. I never will understand how those folks can be so cynical or hold such a dim opinion of their fellow humans as to think we couldn’t possibly have figured out how to do it.

I’m just a tad too young to have experienced this amazing moment in history as it unfolded. I wouldn’t be born for two more months after Armstrong made that giant leap. And even though I’ve seen the documentaries, read the books, and grew up just generally knowing about all this stuff, it’s hard for me to imagine what it must’ve been like for my parents and other people living at that time. Fortunately at times like these, we at least have the Internet.

I’ve learned that NASA is going to begin streaming actual audio recorded during the mission, starting tomorrow morning at 6:32 central daylight time, two hours before the giant Saturn V booster rocket launched the Apollo spacecraft out of the atmosphere. The idea is that we’ll be hearing the transmissions between astronauts, ground teams, and Mission Control at the exact same moments they were broadcast in 1969. It’ll be just like being there… almost…

Details on this nifty simulation can be found in this press release. The audio will be streaming here.

The John F. Kennedy Presidential Library is hosting another similar, but more visually punchy site called WeChooseTheMoon, a reference to JFK’s famous speech that set the ball rolling inexorably toward Tranquility Base. And if you’d like a visual to go with the audio, here’s a video recording of the actual TV coverage that you would’ve seen had you been watching the tube on this morning four decades ago. The quality isn’t great, sadly, but I still defy you not to feel a tingle down your back when those mighty engines start to rumble…

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Bad Headline of the Day

One more for tonight…

The Salt Lake Tribune really needs to have a chat with its headline writer:

Skateboard attacks man over alleged fake-drug sale

Treacherous skateboards! When are the police going to do something about them! When I was a boy, you could walk down the streets without fearing that some skateboard was going to leap out and mug you, but now everything’s gone to hell in a mop-bucket!

(What actually happened, of course, is that some guy attacked another guy with a skateboard. But sloppy editing gives a very different impression, doesn’t it? Anytime anyone around my place of employment wonders why they need pedantic guys like me slowing down the process when they’re on deadline, I’ll just point them to this example…)

(Incidentally, the headline has been fixed since I first saw it this morning — it now reads “Skateboarder attacks man…” — but still, I think my point was made. Proofreaders… if you deal in words at all, we’re your most valuable resource!)

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How Things Change

Somewhat related to the previous entry (well, they both involve music, nostalgia, and grumpy old man-ism, at least), Lileks related a story today about his encounter at his local coffee house with one of those Damn Kids™ I’m always grumbling about. Here’s his comment about the young lady’s ignorance of “99 Luftballons,” the infectious ’80s classic about an accidental nuclear exchange (ah, the Cold War… those were the days!):

Kids today. No respect for kids of yesterday. Thing is, we were required to know every fargin’ thing about the 60s when we were coming up, being schooled in the ways of the Most Important Musical Genre Ever. You were required to nod at your elder and respect their sage ways, and thus I found myself in a few dorm rooms listening to peers explain why Crosby, Stills, Nash, Young, Reefer and Cocaine were incredible not just for their harmony and song-writing skills, but their ability to make music that [went] on longer than three minutes. To which you could only say: may all your girlfriends take “Love the One You’re With” to heart everytime you’re out of town.

Lileks’ real point here is, of course, less about the kids of today than his own resentment toward the ’60s — he strikes me as a man who is convinced that everything went Horribly Wrong long about 1967 and it’s only gotten worse since then; come to think of it, that’s not entirely incorrect, depending on how you look at it — but he touches on something I’ve considered myself from time to time, which is the way Boomer culture has always dominated the conversation and how people my age dealt with it, and more importantly (to me, anyhow) how that’s different from the way kids these days deal with my generation’s culture.

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This Makes Me Irrationally Happy

My buddy Mike sent word this morning that the new Cheap Trick album, appropriately titled The Latest, will be available soon in multiple formats, including — are you ready for this? — 8-track tape.

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Yes, 8-track, that clunky lo-fi audio technology of the early 1970s that never sounded especially good even by the standards of the day. I’m sure everyone of, ahem, a certain age remembers how 8-tracks always tended to interrupt the songs (usually in the middle of the bridge or a cool guitar solo) with a harsh click-clack sound as the head changed from track to the next, and the way those brick-like cartridges got hotter than a microwaved Kwik-e-Mart burrito after only a couple of plays. I can’t imagine anyone feeling nostalgic for these things, unless it’s simply for the objects themselves, as artifacts of a simpler time; I’m definitely not aware of any kind of 8-track-o-phile community that actually enjoys the sound of 8-tracks, like the vinyl true believers who still prefer records to CDs. And yet this Cheap Trick offering is apparently not a joke. You can pre-order The Latest on 8-track here. (You can also get the album on LP or CD, depending on your preference. Oh, and I suppose there’ll be a downloadable version for the Damn Kids™, not that any of them would be listening to an old band like Cheap Trick anyhow.)

I’ve noted before that I’m not really a fan of Cheap Trick’s music, but I must admit this little stunt has greatly increased my respect for the band. It’s just so charmingly counterintuitive to offer a 2009 release on a 1973 format…

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There Can Be Only One… Martian Tripod?

I’m not a big fan of either animation or steampunk,* but I am intrigued by this:

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That’s the poster for a straight-to-DVD film project currently in production and scheduled to be released in 2010. The premise is that 14 years after the events of H.G. Wells’ novel The War of the Worlds, the Martians try again. Only this time, humanity is ready for them, armed with weapons and fighting machines that were reverse-engineered from the alien technology left behind following the first invasion.

That all sounds amusing enough, but what really caught my eye was the cast and crew credits on that poster. It appears that War of the Worlds: Goliath is going to be something of a Highlander reunion! Peter Wingfield, Elizabeth Gracen, Jim Byrnes, and Adrian Paul all starred on my favorite obsession of the mid-90s, Highlander: The Series, and the writer of this film, David Abramowitz, is a Highlander alum as well. (Credited as both Supervising Producer and Creative Consultant on the series, Abramowitz is widely held to be the guy who changed Highlander from a cheesy villain-of-the-week syndicated action show — think Lorenzo Lamas’ Renegade, only with swords and Quickenings — into something that actually asked questions about the human condition. I didn’t always like Abramowitz’s ideas, but the show definitely improved under his guidance.)

If the Highlander angle isn’t enough, Goliath‘s other listed star, Adam Baldwin (no relation to Alec, William, et. al.) played Jayne in the cult favorite Firefly, and executive producer Kevin Eastman is the dude who created the Teenage Mutant Ninja Turtles. That’s a seriously geeky pedigree there!

I hope this turns out to be good. Adrian Paul, in particular, could use an artistic success, if (most likely) not a financial one. I find him a very appealing actor, but since Highlander wrapped, he’s unfortunately been trapped in a creative ghetto, churning out one low-budget crapfest after another (and yes, I count the last Highlander movie, The Suck, er, Source, among those). Interestingly, this isn’t Adrian’s first encounter with Wells’ Martians; he also starred in the second season of that War of the Worlds TV series way back in the late ’80s. Not that anybody remembers him from that… I don’t, except as a point of trivia.

Anyhow, if you’re interested in this at all, the official site for War of the Worlds: Goliath is here. It includes a production blog (which hasn’t been updated since April, hopefully not a bad sign), and a gallery of concept art. I particularly like the look the Martian tripod machine. Very creepy…

* Steampunk, if you don’t know the term, is a sub-genre of science fiction and fantasy that’s set in the Victorian Age or early 20th Century, but includes technology that’s somehow analogous to late-20th Century levels. It’s also a design aesthetic that seems to be very popular among DIYers and in certain corners of the InterWebs.

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The Call of Sigmund

I still want to address the passing of Farrah Fawcett and Michael Jackson, but given the big subject matter earlier this week, I am hesitant to turn this into the “all obituaries, all the time” blog. Besides, I’m not really in the mood right now to talk about losing more of the familiar trappings of my youth. So instead, I’m going to offer up another item I’ve been meaning to post for a while, an image I spotted at Michael May’s Adventureblog some time ago. It’s probably a bit advanced for laypeople and casual geeks, but it certainly made me smile:

Sid and Marty Lovekrofft's Call of Sigmund

If you don’t get it, start here, then proceed here. And if you still don’t think this is funny after doing your research, well, then, I can’t help you.

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A Little Pick-Me-Up

After last night’s grim entry, I figure we could use something a little more uplifting this morning. At least I could. So here’s a music video I’ve be meaning to post for a few days, a nifty version of one of my favorite songs, the old Leiber and Stoller chestnut “Stand by Me” as recorded by Jon Bon Jovi and an Iranian singer named Andy Madadian. I first spotted this over on Andrew Sullivan’s Daily Dish, but it’s been making its way around the Interwebs, and I’m proud to do my part to spread it farther. There’s an intro on the clip by producer Don Was that explains what it’s all about; you can also listen to an NPR interview with Andy that gives a little more background.

And now for the music:

As Don Was says, the song isn’t available for sale anywhere, but if you like it, you can download a free MP3 here. I like it a lot myself; I’m frankly astounded by the flexibility of this song, how it can be performed in Farsi of all things and yet still work as well as when Ben E. King laid down the original version all the way back in 1961. They don’t call them classics for nothing, kids.

Hope we’re all feeling better now…

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