Monthly Archives: September 2019

Ruminations on Fifty

I was barely into my teens the first time I saw Blade Runner. It was on a rented VHS videocassette, probably eight months or a year after the film’s initial release, so that would’ve been some time in 1983. And I would’ve been 13 years old. The movie has a very specific time setting — November 2019 — and I remember being taken by the idea that I would likely live to see that future, as incredibly far off as it seemed then in the early years of the Awesome ’80s. I once did the math on the back of an envelope to figure out how old I would be when that future arrived, and the answer — 50! — was as fantastical to my 13-year-old self as flying cars, off-world colonies, and genetically engineered replicants.

Well.

Here we are, only six weeks away from November 2019, that once-distant future imagined in the now-ancient past, and today, as hard as it is for me to believe, is my 50th birthday.

Fifty. Five-Oh. Five decades. Half a century. You can’t see this, but I’m sitting here shaking my head in wonder.

My friends and Loyal Readers (assuming any of you are still out there!) know that I struggle with birthdays, and with aging in general. Of course you know that, I write about it nearly every year. The thing is, when this time of year rolls around, it’s very difficult for me not to dwell on what I have to show for the time I’ve spent on this planet… or rather, what I don’t have to show for it. I don’t have children, I don’t own my own home — hell, I’ve never even moved out of the home I grew up in! — and while I do have this thing that can be called a career, I didn’t choose it so much as I slipped on a metaphorical banana peel and fell ass-backwards into it. It works well enough for me, but I can’t help help thinking something else would work better if only I could imagine what.

And I haven’t written any of those novels I used to talk about. That one really hurts.

Bottom line: When I look at pretty much any of the factors that are considered to be markers of success in our late-stage capitalistic society, I haven’t amounted to much. And yeah, that bothers me, as much as I try to shrug it off.

That said, however, the last few birthdays have seemed easier, and I’m surprised to find that I’m pretty sanguine about this one in particular, even though it’s a big landmark. Maybe it’s true what they say about giving less of a damn as you get older. But I think I was also comforted this year by some wisdom I received from an unexpected source, a young lady I’m coming to think of as my work-daughter  (as opposed to a work-spouse… yeah, I’m definitely getting older!). We were chewing the fat a few weeks back, and I mentioned my angst over not having done much with my life, and she responded, “Maybe not, but you’ve seen a hell of a lot.” I asked her what she meant, and she said that I’m always talking about all the things I’ve seen, from concerts to movies to different places to just “the good old days,” and she thinks my stories are cool. As I returned to my desk, I started thinking that she’s right… I have seen a lot of things in my time. (And here we circle back to Blade Runner and its replicant anti-hero Roy Batty: “I’ve seen things you people wouldn’t believe… “)

Not all of those things have been good, of course. The first big headline events I remember being aware of were the death of Elvis Presley and the Jonestown Massacre, when cult-leader Jim Jones coerced hundreds of people to drink poisoned grape punch or else just had them shot. Then there was the Iran hostage crisis. The AIDS epidemic. The Challenger disaster. The terrorist bombing of a 747 over Lockerbie, Scotland. The Exxon Valdez. The loss of another space shuttle, Columbia. The nightmare of 9/11 and all the disillusioning, disheartening stuff that followed it.

Mass shootings have become virtually commonplace.

I’ve seen nine U.S. presidents in my lifetime. One of them was impeached, one of them narrowly avoided it by resigning, and we’ll see what happens with the current one. There have been four out-and-out wars (by my reckoning) and more small-scale
“actions” than I can remember. Lots of economic ups and downs in that time too, though fortunately not a full-scale Depression 2.0 (not yet, anyhow).

I’ve seen all kinds of social mores and paradigms evolve, reverse themselves, or completely vanish in the last 50 years. I was an impressionable child during the free-loving, post-sexual-revolution years of the ’70s and I’ve long held something of a grudge that AIDS and a social backlash came along right about the time I was coming of age myself. I feel like I missed the party by that much. On the positive side, though, same-sex marriage is a thing now and, generally speaking, seems to be more and more accepted, despite the forces that are trying to push people of all descriptions back into their closets. Marijuana is becoming legal in more and more places, and practically everybody I know over a certain age is using CBD products to deal with their aches and pains. Meanwhile, cigarette smoking has gone from near-ubiquitous to barely tolerated, and probably soon to disappear entirely.

And then there’s technology. Good lord, the technology. Sometimes my childhood seems like it was in the 19th century, not the 20th. I remember when computers were something you only saw in science fiction movies, and then they were always the size of refrigerators, with spinning tape reels behind glass doors. The idea that it’s only a few decades later and we’re all walking around with one in our pockets, smaller in many cases than a paperback book, is truly boggling.

Home video — which didn’t even exist when I was young — has gone from video cassettes to DVD to BluRay to streaming. My earliest TV was a 17-inch black-and-white “portable” with a finicky vertical hold and rabbit ears. Our “big screen” during much of my childhood was a color set housed in an enormous solid wood cabinet, and you changed channels by walking across the room and turning a physical knob.

Music: from vinyl LPs to cassettes and 8-tracks to MP3s, Napster, iTunes, Spotify, and now, improbably, vinyl LPs again.

Fashion: I’ve lived long enough to see the fashions of the ’70s, ’80s, and ’90s all make comebacks.

Cars were enormous when I was a kid. My first one, a 1970 T-Bird, was approximately the size of a supertanker. They’ve become smaller, then somewhat bigger again. Sedans are fading away in favor of SUVs and minivans. Driverless vehicles are on the horizon (I’m not thrilled about that one).

I watched as our civilization survived the Harmonic Convergence of 1987, Y2K, the Mayan calendar “end of time” in 2012, and any number of near-misses by asteroids.

When I was a kid, we had nine planets in our solar system and knew of no others anywhere else. Today, Pluto has been downgraded to not-a-planet and we’ve spotted hundreds of exoplanets orbiting other stars.

But that’s all big, societal-level things. On a more personal note, I’ve seen the farm town I grew up in become a suburb, and Utah itself change from a somewhat isolated outpost of civilization — I always related with Luke Skywalker’s lament that Tatooine was the point farthest from the bright center of the universe — to a well-known and even desirable place to be.

I’ve seen Big Ben and the tomb of Sir Richard Francis Burton and swans lazily gliding along the river behind the colleges of Cambridge, England. I’ve seen the Grand Canyon and the Golden Gate Bridge and Hoover Dam and the Hollywood sign and the great cathedral of Cologne, Germany. Frank Lloyd Wright’s Fallingwater and a house shaped like a shoe. The lights of Las Vegas. Gettysburg. The Rock and Roll Hall of Fame. The Mustang Ranch. The Lincoln Memorial. At the Smithsonian Institution, I’ve seen Julia Child’s kitchen, Kermit the Frog, Archie Bunker’s chair, Lincoln’s blood-stained top hat, and the star-spangled banner itself. In the British Museum in London, I saw the Rosetta Stone and the body of a man from the Iron Age. I’ve seen Hadrian’s Wall and Glen Coe, Loch Ness and Culloden, the Falkirk Wheel and the Kelpies. I’ve seen buffalo and alligators in the wild.

I’ve seen ditch banks burning in the springtime and alfalfa swaying in the June breeze. I’ve seen wide-open spaces and the enormous skies that tower above them. Two-lane roads and superhighways and turnpikes. I’ve seen a stash of dirty magazines hidden in a barn for the neighborhood kids to find long before anyone even imagined the Internet.

And I saw the Twin Towers before the bastards knocked ’em down.

Getting back to the subject of my birthday, I’d be lying if I said I’m not bothered by the physical signs of advancing decrepitude or by the idea that I now have more years behind me than ahead (referring to Blade Runner again, the scene where Batty confronts his creator: “I want more life… fucker.”) But when I look over this list, and I think of all the things I could add to it if I didn’t fear I was already straining your patience, I feel pretty good. All of that is more than enough to do my own version of Billy Joel’s “We Didn’t Start the Fire.” So Work-Daughter was right. I do have quite a lot to show for 50 years after all.

Not to get too sappy as I’m winding this up, but maybe I shouldn’t have been thinking about Blade Runner in connection to this day. Maybe a better choice would have been the movie I’m going to see this afternoon, Star Trek: The Motion Picture, the tagline of which is “The human adventure is just beginning.” That feels uncharacteristically optimistic for me… but to my surprise, it is the way I’m feeling. And isn’t that weird?

 

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Friday Evening Videos: “Think I’m in Love”

Eddie Money died this morning at the not-very-old age of 70. Variety has the most comprehensive obituary I’ve found, if you’d like to know more about him… and I confess, I really didn’t know much.

The truth is, I’ve always sort of taken Eddie for granted. I’ve never owned an album of his, and the one time I saw him live — back around 2000 or thereabouts, along with Styx and REO Speedwagon in one of the first “triple threat” shows I attended — I dismissed him as the worst act of the evening. Looking back, I feel bad about being so snotty.

See, the thing about Eddie Money that I didn’t credit him for 20 years ago is that he was a journeyman entertainer. Not a virtuoso, not a genius, not really at home in the pantheon of flashy, strutting rock-and-roll gods… he was just a hardworking guy from New York who was easy to picture in his former career as a police officer. Dedicated to the job, out there every damn day without fanfare, like somebody in one of those golden-lighted all-American Ford commercials, doing the work to keep the country moving. I appreciate that sort of thing a lot more now than I did when I was younger.

He started logging hit singles in the ’70s, and it’s been startling today while reading the various tributes to him to realize just how many hits he had, and how many of them I’ve liked over the years. I remember singing “Take Me Home Tonight,” his 1986 song with Ronnie Spector of The Ronnettes, during after-school rehearsals for the one and only play I appeared in, and feeling pretty damn superior because I knew who Ronnie Spector was while my fellow castmates thought she was only a backup singer. However, my favorite Money song is from a couple years earlier. “Think I’m in Love” was the first single from Eddie’s 1982 album No Control, and it slams my personal sweetspot hard: guitar heavy; a catchy, propulsive sound; a certain sense of drama but an overall upbeat tone… this is the kind of song that makes me want to put the car windows down and drive faster than I ought to. The song went to 16 on the Billboard Hot 100, and the video was a staple of MTV’s early playlists.

It is also kind of batshit insane. Which of course all the best early videos were.

Rest in peace, Eddie Money. I’m going to crank this up now and fill the crisp, early fall air with some good rock and roll…

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Friday Evening Videos (Labor Day Weekend Edition): “These Dreams”

Anne and I kicked off the long holiday weekend Friday night with one of those “triple-threat” concerts that have become so common in recent years, at least for the old, er, that is, ahem, the classic acts that I enjoy. The line-up was Heart, Joan Jett and the Blackhearts, and Elle King, a newer performer whose sassy, sexy, won’t-take-any-bullshit-from-a-man attitude fit right in with the other two acts.

We’ve seen Heart paired with Joan Jett before, only a few years ago — the other “threat” that time was Cheap Trick — but my impression is that last night’s performance for both acts was much, much better. In the case of Heart, that possibly could be due to Ann and Nancy Wilson’s reconciliation following a nasty family dispute. Or perhaps they were better acclimated to the altitude this time around (a lot of performers struggle in Salt Lake’s thinner — and let’s be honest, dirtier — air). Or maybe we just had better seats that gave us a more even sound mix. Whatever the reason, this 2019 show promises to be one that will stand out in my mind, and there was one moment in particular that I think will stay with me.

The Wilson sisters had just led a lovely sing-along version of Simon and Garfunkel’s “The Boxer,” and from there Nancy launched into an acoustic take on “These Dreams,” from the self-titled 1985 album that was my introduction to this band. It was just her and her guitar, the drummer gently shaking a maraca, and Ann — ostensibly the band’s lead singer — occasionally chiming in for the chorus or a counterpoint. This song has always had a wistful quality, of course, but this performance tapped into… something… the end of a summer that feels like it never really got started, my impending landmark birthday, the generally dismal state of the world today and the always uncertain future… something. A balmy breeze was floating across the audience, finally bringing some relief after a sweltering day. I could smell sweat and the crisp, slightly floral scent of beer and a much fainter whiff of acrid marijuana smoke. And right around the line “White skin in linen/Perfume on my wrist” — an image that has always been strongly evocative for me — I felt my eyes growing wet. Yes, kids, I was actually getting weepy during a live performance of a 33-year-old power ballad. And I’ll be damned if I can tell you why. Obviously it was hitting some button within me… perhaps something long buried since the time when I was a brooding would-be Romantic who fancied myself some sort of tragic James Dean figure. Or perhaps the emotion was coming from a place that’s only accessible to a man on the edge of 50 who still feels the restlessness of his younger self but is far less able to do anything about it. Maybe it was simply a heartfelt rendition of a pretty song that’s always been a favorite of mine.

Whatever was going on, it seemed as if I felt a click throughout my body just at that moment, and my vision darkened ever so briefly the way it does when I’m looking through a viewfinder as the shutter cycles. I think that moment has maybe become a snapshot in my memory that I’ll someday be able to pull out of a mental shoebox and peer at through layers of grain and sepia, and I’ll recall everything that was happening just then: the tears, the breeze, the beer-and-pot smell, Nancy’s high but somewhat gravely voice singing that line about perfume on her wrist. The moment was quite simply magical. The kind of magic I used to feel in my room late at night, crackling up from the grooves of some old record I’d just discovered… the magic of stumbling across an unexplored world and knowing that I was going to make it my own. A kind of magic I rarely experience any more.

Not a bad way to wind up a summer that never really got started on the cusp of my 50th birthday.

Here’s the video for “These Dreams.” It’s a lot of 1980s excess and nonsense, I’m afraid. Big hair and big pretensions. But I love the song anyhow. If you’ve been waiting for the trivia, this was the third single from the aforementioned album Heart, and the first number-one hit for the band, which had released its first album 10 years before. The song was written by Martin Page (who you may remember for his own hit single “In the House of Stone and Light“) and Elton John’s frequent collaborator Bernie Taupin. “These Dreams” peaked on March 22, 1986, and was later re-released in 1988. I was a junior in high school the first time around, and a college freshman the second…

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