Review: Star Trek: Captain’s Log

Star Trek: Captain's Log
Star Trek: Captain’s Log by David Tipton

My rating: 3 of 5 stars

This graphic novel, which I suspect will be of interest only to hardcore Trekkies, collects four stories about starship captains whose names aren’t Kirk or Picard: Pike (from the original series’ first pilot episode “The Cage”), Sulu, Harriman (briefly seen in the feature film Star Trek: Generations), and Jellico, a character who appeared in the two-part Next Generation episode “Chain of Command.” While it’s an interesting idea to more fully flesh out some of the background characters of the Star Trek universe, the results are decidedly mediocre, in part because three of the four stories follow essentially the same formula: the starring captain experiences (or is told about) a specific incident, then finds himself in similar circumstances and uses the trick that worked years ago to save the day again. Only the Jellico story breaks the mold… as does the Jellico character himself, perhaps the only truly abrasive Starfleet captain we’ve seen in all the many, many years of Star Trek stories.

My favorite of the four stories involves Harriman, captain of the Enterprise-B, and his struggle to come to terms with his role in the incident seen in Generations, in which the legendary Captain Kirk was (apparently) killed saving Harriman’s ship. Harriman is widely believed to be “responsible for the death of a monument” because he froze when the crisis began, and his confidence isn’t helped when an angry Doctor McCoy dresses him down. Overall, the story is somewhat banal — McCoy apologizes and shares some wisdom, the Klingons attack, Harriman outwits them and regains his mojo — but there are some really nicely written exchanges between Bones and Harriman, and the dialog is all in-character and authentic. (My favorite: “You’re a wise man, Doctor.” “Nah, I’m an old man. People just mistake the one for the other.” That’s Bones McCoy, at least in his later years; I even “heard” the words in De Kelley’s voice.) It helps that this segment has the best artwork of the four, too; Andrew Currie really captures Kelley’s and William Shatner’s expressions.

The Pike story has some nice emotional moments as well, expanding on a relationship only hinted at in “The Cage” between the captain and his attractive young Yeoman, but overall it’s just a generic shoot-’em-up tale. The Sulu story was completely forgettable (seriously, I can’t even recall what it was about). As for the final story about Jellico… it’s a nice change from the others, in that it’s told from the perspective of a newly transferred officer who’s trying to get used to her new captain, but I find Jellico such an obnoxious bully that I can’t believe he’d be an effective leader, and I can’t bring myself to care too much about him. He’s a jerk at the beginning of the story, he’s a jerk at the end of the story, and the protagonist has simply learned to live with it.

Ultimately, this is a fast, but disposable read aimed at a niche audience. But it does have its moments…

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