Monthly Archives: November 2014

Touchdown, the Crowd Goes Wild!

Comet_67P_surface_Rosetta-missionPhoto by ESA/Rosetta/Philae/ROLIS via CNES

That image above is an up-close-and-personal look at the surface of a comet, taken this morning by a tiny lander called Philae moments before it made contact with that ancient chunk of ice and rock. Philae spent 10 years traveling through deep space to make this rendezvous, carried aboard the European Space Agency’s Rosetta probe. After a circuitous route that required a couple of slingshot maneuvers past Mars and Earth, as well as fly-bys of two different asteroids, Rosetta finally came alongside Comet 67P/Churyumov-Gerasimenko, some 311 million miles from Earth, back in August. Since then, it has been slowly moving in closer, mapping the comet’s terrain as it went. And then this morning, it released Philae for a seven-hour journey down to 67P. Other space probes have done close fly-bys of comets, and we even slammed a projectile into one back in 2005, but this is the first time we’ve gently set anything down on one.

Even leaving aside the historical-first aspect of this landing, it’s an incredible feat of navigation. Consider: 67P is only two-and-a-half miles across, and it’s speeding around the sun at roughly 85,000 mph. Imagine trying to hit a target that small and that fast in all that infinite emptiness with a spacecraft — Rosetta — that’s only 105 feet across its solar-panel wingspan. The mind boggles. And then there are the problems of actually landing on a comet. For one thing, 67P isn’t even a sphere, like a planet. Most of the descriptions I’ve read compare its shape to a rubber duckie: two irregularly shaped “lobes” stuck together. Because it’s so small, it has hardly any gravitational pull; Philae weighs only half an ounce when it’s on the surface of 67P. And the comet is outgassing, meaning its icy components are evaporating and venting off into space, which means, in that super-low gravity, that the comet can literally blow Philae away. To counter this, Philae has a cold-gas thruster on top intended to hold it against the comet’s surface while two anchoring systems — harpoons and ice-screws in its landing pads — dig in and make the lander fast. Unfortunately, it appears that these systems didn’t work quite as hoped: the thruster failed to properly pressurize as the lander was preparing to depart Rosetta, and the harpoons did not fire once it reached the surface. Last I heard, ESA scientists were still trying to verify whether or not the ice-screws had attached themselves, which means the lander could be just floating alongside the comet, or in danger of drifting away from it. But it definitely did make contact… in fact, it appears that Philae bounced and settled back to the surface at least once, so it made contact a couple of times.

Communications with the lander have been intermittent, for undetermined reasons, but ESA has confirmed it is on the surface, and it is functioning, so with luck we should start getting some interesting data back any time. Philae carries a suite of 10 scientific experiments, including a drill to take a core sample and an onboard laboratory to analyze it. Its primary mission is scheduled to last a couple of days, then — depending on how well the lander is able to recharge its batteries — a secondary phase will begin that could last until March of next year, after which conditions will likely be getting too hot for it to continue functioning as 67P plunges toward the sun.

I’m excited to see the planned panoramic photograph of the landing area, but in the meantime, feast your eyes on this gallery from The New York Times, including lots of shots of the comet taken as Rosetta approached.

One final thought: As exciting as this landing has been, a friend of mine lamented over on Facebook earlier that there was a time when this would have been an American achievement instead of a European one. I understand what he was getting at. I’m not really prone to nationalism myself, but when it comes to space stuff… well, I do take a lot of pride in the fact that it’s an American flag up there at Tranquility Base, and that we were the first nation with a reusable spaceship. But as someone else pointed out on that Facebook thread, it’s better for the countries of the world to work together on missions like this than to compete like we did in the Cold War days. (NASA did, in fact, contribute to the Rosetta mission.) For one thing, sharing the costs is the only practical way around the enormous expense of space exploration. But more generally, I also think it’s simply right that we all work together for this. If space exploration is truly “for all mankind,” if our ultimate goal is to make humanity an interplanetary species, then all of humanity needs to be involved and represented in what we’re doing out there. The first moonbase or Mars colony, ideally, ought to include Americans, Europeans, Asians, Indians… and  Russians… Christians, Jews, Hindus, Buddhists, atheists, and yes, Muslims, too. This is the ideal established by Star Trek and Babylon 5, and it’s the one I dream we’ll achieve. Chances are we won’t, of course. I’m not so naive as to believe reality isn’t going to end up a lot messier than Star Trek ever was, and there will no doubt be some ventures where nations cooperate and others where they don’t. (I foresee that asteroid mining, if it works out, will probably be intensely nationalistic and/or corporate, with different organizations laying claim to specific rocks… hopefully peacefully, but not necessarily…) But hey, let’s at least try for the dream. It worked out pretty damn well this morning, didn’t it?

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Tales of a Sunday Afternoon

I was at Costco with Anne — who did not have to work a full eight-hour day after all, as it turns out — when she abruptly stopped in the middle of an aisle with a confused expression.

Me: What is it?

Anne (pointing to a fancy car-window ice scraper with a curved handle): “At first glance, I thought that was a Klingon bat’leth.”

< pause >

Me: You really have been around me too long, haven’t you?

 

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Tales of a Sunday Morning

So, this just happened at the Bennion Compound:

Anne: I have to go to work.

Me: Do you have to put in a full eight hours, or ten, or what?

Anne: I have no idea, I’ll find out when I get there.

Me: Well, it’s all right either way. I’ll be here. Right here. Waiting  for you. You know, like Richard Marx.

< pause >

Anne: You are such a dork.

 

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Friday Evening Videos: “Cradle of Love”

I never got around to actually writing it down, but for a long time I maintained a mental list of musical acts I wanted to see live. Most of these were bands or performers that I missed during their heyday in my teens, or older “living legend” types who rarely toured, or at least rarely (if ever) came to Utah. Now, thanks to all the nostalgia touring and comebacks in recent years, I’ve been able to cross off Clapton, B.B. King, Journey, Def Leppard, Pat Benatar, Chris Isaak, Bon Jovi, and KISS — essentially my top-priority “A-listers.” That leaves the fantasy list, i.e., the ones who are semi-retired, unlikely to ever come to Utah, or really expensive/difficult to get in to see: Springsteen, Tina Turner, The Rolling Stones, Willie Nelson, Bob Seger. There are also some acts that I’ve seen before that I’d like to see again, if they’re in the area: Loverboy, Bryan Adams, Night Ranger, ZZ Top. And there’s my main man Rick Springfield, of course — Anne and I have a standing date to see him whenever he’s nearby.

And then there’s the B-list, the acts that I like well enough but have never really been must-see “holy grails” for me. Billy Idol is one of those. I liked some of his music back in the day — “Rebel Yell,” “Hot in the City,” and “Dancing with Myself” all come to mind — but honestly I was always put off by his persona. My musical tastes as a teen and twentysomething were far more informed by my libido than by feelings of alienation or disaffection with the Establishment, so the punk scene held little appeal for me. And even though I always realized Billy’s solo work was pretty far removed from his punk roots, the leather-and-chains and the sneer and the raised fist were all too close to a subculture I just didn’t want any part of for me to really embrace him.

Well, funny things happen as you get older. At some point, I got over restricting my tastes according to rigid categories of what is and is not “my scene.” I picked up a Billy Idol Greatest Hits CD and discovered that I recognized and liked a lot more of his work than I had realized. And Billy himself mellowed. I’ve been downright charmed by his recent television appearances to plug his new memoir, Dancing with Myself. He comes across very much like Rick Springfield, actually, as somebody who survived a lot of really bad decisions and is grateful for it, who passed through all the bullshit that comes with celebrity and lived to tell the tale, who acquired some wisdom along the way and also learned to laugh at himself a bit. Hell, he even learned to smile. And when he does his trademark sneer now, it always seems to end in a self-deprecating chuckle that says, “Can you believe I’m still doing this?” In short, he’s turned into someone who seems like he’d be pretty damn cool to hang out with for a while. Only a couple weeks ago, I told Anne that if he happened to come to our Nevada-border outpost town of Wendover — to the casino venue where all the old ’80s acts play these days — it might be kind of fun to see him.

Well, as it so happens, I learned yesterday that he’ll be playing Salt Lake in just over a month as part of the X96 Nightmare Before Christmas holiday show (X96 is a local radio station, for my out-of-state readers). And I have to say, I’m actually pretty darn stoked about seeing him. I ordered the tickets within an hour of getting the announcement. It’s a general-admission show in a small, warehouse-style venue, so it really ought to be something — up close and personal, and probably pretty reminiscent of his early punk years. It’ll be different from the arena-style shows I’m used to, for certain. And we don’t even have to drive out to Nevada!

To celebrate this head-spinning turn of events that once would’ve seemed so unlikely — me, going to a Billy Idol concert! — here’s one of my favorite songs of his, a catchy tune called “Cradle of Love” from his 1990 album Charmed Life. It was his last top-40 single in the United States — it made it all the way to number two on the Billboard chart — and the video is… well, it’s pretty sexy, in my humble opinion. I guess my musical tastes are still driven, at least in part, by my libido:

Just as an aside, I wonder if anyone has ever totaled up how many videos involve sexy women (or girls, in this case) walking all over some hapless schmoe who doesn’t know what hit him? That was the motif for just about every one of ZZ Top’s MTV clips, for instance. Inquiring minds want to know!

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Yeah, I’m Not Feeling It…

If you’re one of the three people on Earth who hasn’t heard yet, the official announcement went out this morning: Principal photography on Star Wars Episode VII has wrapped and the actual title of the movie has been revealed:

star-wars-ep-7_title cardUm, yeah. Okay.

I hate to be one those fans, you know, the ones who seem to derive more pleasure from bitching about the thing they supposedly love than, you know, actually enjoying it, but I have to admit I am… not impressed. It’s become somewhat axiomatic that the prequel titles — The Phantom Menace, Attack of the Clones, and Revenge of the Sith —  were ridiculous and clunky (and there are even some who say the same of the original trilogy titles, A New Hope, The Empire Strikes Back, and Return of the Jedi), but I disagree. I liked them from the start, because they evoked the saga’s origins in the old Flash Gordon cliffhanger serials of the 1930s, whose episodes had titles like “The Unseen Peril” (sound familiar?), “The Prisoner of Mongo,” and “Doom of the Dictator.” They have an enthusiastically pulpy sound that I personally find appealing. The Force Awakens, on the other hand… the tone is off, to my ear. It sounds very much like the title of a fan film to me, so many of which seem to be sooooo self-consciously serious, at least in my experience of them.

I don’t know, I could be wrong. It’s just three words, after all. They might grow on me after I’ve lived with them a while, and it could be they perfectly reflect the story, which will only become evident after we see the finished picture. I recently encountered a rumored plot line — which I won’t repeat here, for those readers who are trying to remain unspoiled — that this title would actually be quite appropriate for, as it supposes that certain characters have been, shall we say, dormant since we last encountered Our Heroes. But I don’t know that I believe that premise is for real, for a number of reasons. JJ Abrams played a lot of games in the run-up to Star Trek into Darkness, trying to fool everyone into believing that his film actually wasn’t a remake of The Wrath of Khan, when of course that’s precisely what it was. (Or so I’ve been told, as I still haven’t seen it. Trusted sources warned me to stay away if I wanted to maintain a healthy blood pressure.) There have been a lot of supposed leaks from the set of Episode VII, everything from pre-production art to that plot line to behind-the-scenes photos. Call me a cynic, but I wouldn’t put it past Abrams to be deliberately planting red herrings to get the fanboys talking, and also to keep them distracted from discovering what the movie is really about.

Or the leaks could be the real thing after all… in which case, I am… concerned. I’m trying very hard to remain open-minded about this first post-Lucas Star Wars film. I want it to be good, I really do. I’d love it if The Force Awakens is so good that it heals the rift that the prequels opened and makes it possible to again be a Star Wars fan without having to qualify where you stand. That it will again be possible to talk about Star Wars without it automatically turning into another tiresome debate. I want this film to recapture the magic of the original trilogy while also paving the way into the next generation of the Star Wars franchise. I want a movie that everyone will love. But I have a very hard time believing that JJ Abrams is the man to deliver it, after the complete hash he made of Star Trek. His take on that franchise was superficial flash that contained a lot of surface-level nods to the source material — or at least to the general public’s notion of the source — but showed no real understanding of what the source material was actually about. Abrams-Trek was an impression of Star Trek, rather than an authentic or meaningful updating of the franchise. And I fear that’s what we’re going to get with his take on Star Wars, as well. Granted, much of the blame for the Trek debacle lies with the scriptwriters… but it was Abrams, in the end, who was calling the shots. And it’s the same with Ep VII. He may have Lawrence Kasdan involved in writing the screenplay, but that doesn’t mean the director’s vision is going to be clear. Or worthwhile.

I’m especially worried about the tone of Episode VII. I think it’s going to be incredibly difficult to pull off. The grown-up fans who’ve lived with this franchise for 40 years, such as myself, are going to insist they he take the material very seriously — we understandably want a Star Wars that speaks to us, that’s matured along with us, and not a version made for the kiddies — and yet this material was never meant to be dark-n-gritty in the currently popular mode of so much of our entertainment. Star Wars shouldn’t be The Walking Dead; it’s the heir to Flash Gordon. That’s always got to be paramount when approaching this material. But of course so many people have forgotten that, or don’t want to admit it. The original trilogy had its dark moments, true, especially during Empire… but it was always fun, above all else. That sort of tone can be found — I think the films that comprise the Marvel Cinematic Universe are doing an exceptional job of it — but can it be done with Episode VII? Or perhaps more accurately, has it been done?

The alleged Ep VII pre-production art that’s floating around the web is very cool… but also very dark. Whereas the storyline I’ve run across is frankly pretty silly. There’s an immense ying-and-yang tension at work here… and again, I’m just not certain that JJ Abrams has the talent, the skillset, or frankly the depth to reconcile the two extremes and make it work.

And then there’s the fact that Our Heroes are pretty long in the tooth. I’m not opposed to seeing beloved characters getting old — The Wrath of Khan, widely considered the best of the original-cast Star Trek films, was more about Kirk coming to terms with his advancing age than blowing things up; that’s what made it such a great Star Trek film — but will Episode VII actually address the aging issue, or will we have the embarrassing spectacle of seeing Harrison, Mark, and Carrie trying to behave as they did 40 years ago (as in the worst of the original-cast Trek films, The Final Frontier)? For that matter, will Our Heroes even be an integral part of the story, or are they relegated to mere cameos? Again, that “leaked” story I’ve seen suggests the real action of the film is carried by the younger cast. Which I suppose would be fine if Harrison, Mark and Carrie’s cameos have some meaning to them and aren’t just stunts. But at this point, it’s impossible to say which direction Abrams will take.

And then there’s Anthony Daniels’ recent tweet that this film is going to be better than The Empire Strikes Back, which struck me as somebody trying too hard and just makes me suspicious about the true quality of this thing.

Again, I’m trying, I’m really trying to be open-minded… but I keep hearing that oft-repeated motto of the Star Wars saga in my head: I’ve got a bad feeling about this… and nothing that’s come out yet, including the official title, has done much to settle that feeling…

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Microgravity Is Weird

Astronauts on the International Space Station submerge a sealed GoPro in a blob of water. Awesomeness ensues:

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Space Nerd Humor

Turnabouthttp://imgs.xkcd.com/comics/turnabout.png

Trust me, this is very funny. And after the week we had last week in space-travel news, a little levity is called for.

(Oh, all right, for those who don’t get it: The Apollo retroreflectors are essentially mirrors that were left behind on the lunar surface by the Apollo astronauts. If you bounce a laser beam off them, you can measure very precisely the distance from the Earth to the Moon. They’re also a nice refutation for all the crackpot theories that the Apollo missions were faked, because the mirrors are there, and their locations are known. If you can get a hold of a powerful enough laser, you too can do a little rangefinding of your own. And if the retroreflectors weren’t placed there by astronauts, where did they come from, hmmmm?)

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Space Is Hard

Space is hard – but worth it. We will persevere and move forward together.

–Richard Branson, founder and CEO, Virgin Galactic

Last week was a tough one for commercial spaceflight.

Last Tuesday morning, an unmanned Antares rocket, operated by a company called Orbital Sciences Corporation and packed with supplies and experiments bound for the space station, exploded in a spectacular fireball seconds after rising from its launch pad. The latest report I’ve found indicates the launch safety officers deliberately detonated the rocket after its first-stage propulsion system failed, as a precaution to keep it from going down over a populated area. The cause of the failure is still under investigation. This was the third of eight cargo missions Orbital is contracted to perform for NASA; the company’s competitor SpaceX will reportedly fill the gap created in the resupply schedule. Also affected by the Antares disaster is Planetary Resources, the company that wants to mine the asteroids; its Arkyd 3 test platform was aboard the doomed rocket as well. You can read more about that here, if you’re interested.

As if losing the Antares wasn’t enough of a blow, Virgin Galactic’s SpaceShipTwo then broke up during a test flight on Friday, resulting in the death of one of its pilots and serious injuries to the other. It appears the rocket plane’s braking system somehow deployed earlier than it should have, although investigators still haven’t said conclusively that was the cause of the accident, or have any idea of why the system deployed.

Predictably, there was an almost immediate torrent of op-eds and online commentary denouncing private space operations (Time had a memorably galling headline, “Enough with Amateur-Hour Space Flight“), and even calling for an end to manned spaceflight altogether. “People are dying!” the cries go. People could die, if something like that Antares blast happens to, say, a crewed Dragon capsule. To which I reply, yes, they are. and they could, and that’s tragic… but how many sailors died during the Age of Exploration? How many would-be colonists did not survive the passage from the Old World to the New? How many pioneers fell while crossing the Great Plains, or didn’t make it through their first harsh winter of homesteading? How many early aviators died trying to figure out how those new-fangled (and by our standards, appallingly fragile) aeroplanes really behaved?

Don’t misunderstand, I’m not heartless, and I certainly don’t mean to be glib about human lives. I regret and mourn every life lost in the cause of furthering a human presence in space. I certainly wouldn’t want to lose my own life in such an accident, or a friend or family member’s. But I firmly believe those deaths are honorable and meaningful. Because I believe passionately in the cause they died for.

Whenever this subject comes up, I always think of a moment from the original Star Trek series, a scene that’s come to be known to fans as the “risk speech”:

Now, obviously Captain Kirk’s soliloquy here is tailored to the details of a specific storyline. When he says “risk is our business,” he’s referring to the crew of the Enterprise, and to Starfleet, and the risk he’s speaking of is first contact with the alien species of the week. But what I hear in these words from a 46-year-old television segment is nothing less than my vision of the entire human race. Risk is our business, as a species. I believe the urge to explore, to wander, to want to know what’s over the horizon, is built into our very DNA. Pushing back new frontiers is dangerous… but as Kirk says, the possible returns are immense. Too immense to ignore, whether you believe we need to get off this rock in order to preserve our species in the event of a planetary-scale catastrophe, or you think there’s money to be made from the resources out there, or if, like me, you just think exploration is a worthy enough goal in itself, simply for the sake of seeing what’s out there..

Virgin Galactic isn’t in quite the same category as the Apollo missions, of course. The company’s raison d’etre is to take well-heeled customers on a brief thrill ride, and nothing more. SpaceShipTwo isn’t even capable of reaching orbit — its flight plans are all merely trampoline hops up to the edge of space and back — and I’ll confess I’ve been pretty dismissive of this venture compared to, say, SpaceX and its long-term goals of sending people to Mars. (I’ll also confess that I’d be a lot more enthusiastic about Virgin Galactic if I thought there was a chance in hell that I could one day afford one of its trips.) But in the wake of this accident, I’ve done some thinking, and I’ve decided that it doesn’t matter if SpaceShipTwo is just a rich man’s folly, because the more human beings we actually put up there in the black, even if they’re only there for a few minutes, the more we become a space-faring species. And by figuring out how to do it efficiently, safely, and cost-effectively for this one purpose, we learn things that can go toward other applications. Perhaps suborbital hops like this could someday shorten travel time for ordinary civilians like myself. Perhaps there are problems we haven’t even identified yet that will be solved by things we learn now.

Look, Richard Branson, the founder and CEO of Virgin Galactic, said it perfectly in the tweet I quoted at top of this entry. Space is hard. Getting there is hard, at least with our current approach. We’ve been in this place before, after the loss of space shuttle Challenger, when everybody was stunned to suddenly realize what a rocket ship actually is: a massive load of high explosives. And again after the loss of Columbia, when everybody realized it’s as difficult to come back from space as it is to get there. That’s just how it is, at least until someone invents an antigravity drive like we see in all the movies, or builds a working space elevator. We’ve just got to accept a certain amount of risk if we’re going to open this particular frontier. And I think we are going to open it, and that we should. I think we’re going to find we really don’t have any choice. And given the economic realities of our age, we’re going to need private enterprise to be a part of the opening process. So forget all this talk of abandoning space, or just leaving it to NASA. Let’s just suck it up, find out what went wrong with the Antares and SpaceShipTwo, mourn our losses, and then move on…

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