Monthly Archives: April 2010

The Last Night Launch

This was the scene in Florida early this morning as space shuttle Discovery lifted off before dawn for a rendezvous with the International Space Station:

Watch that video a couple of times, kids, and savor it with a bit of melancholy nostalgia, because this will be the last time anyone ever sees the golden flare of a space shuttle’s main engines and solid-rocket boosters combined to banish the darkness. This flight is the last scheduled nighttime launch, and the last that will feature a full crew complement of seven astronauts. After this, only three missions remain before the surviving shuttles are sent off to the museums… and the way things are going, manned American spaceflight may be going with them.

I’ve been wanting to write for some time about the impending end of the shuttle program, as well as the president’s desire to spike the Constellation program that would replace it, but it’s such an emotional issue for me, and I am so ambivalent about the details, that the subject tends to elude me. Still, here are a few quasi-coherent thoughts:

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Friday Evening Videos: “Give to Live”

You know, it’s really not my intention to turn this blog into all music videos, all the time… I’ve just been too busy and/or exhausted lately to write about anything more substantive. I apologize for that, and hope to get back to something more interesting soon. In the meantime, I hope my Loyal Readers are at least enjoying these goofy retro-licious awesome! things I keep dredging out of the InterTubes.

This week’s selection is yet another one I remember from the student-union TV lounge back in my early college days. This was apparently a highly impressionable time of life for me, or else there’s something bubbling away in my subconscious these days that keeps pulling me back to that place. I’m half afraid to speculate what that might be. Anyway, here we have a solo hit from the Red Rocker, Sammy Hagar, in which he tries to show a bit more introspection and sensitivity than he usually displayed in his work with Van Halen, or his best-known solo monster-smash “I Can’t Drive 55.” This is “Give to Live” from the album I Never Said Goodbye (for those who care, Sammy cut this one in between the VH albums 5150 and OU812):

I know, I know… the pretension, the “peace and love” messaging, the hair, that jacket. If it helps any, the only part of this clip that’s stayed with me over the years is the bridge, when he’s sitting on the mountaintop talking about fate. I’d utterly forgotten all the clips of Hitler and mushroom clouds. But I still like the mood of the song, and hearing it again is evocative for me in the same way that “Hysteria” is. And it is kind of an interesting artifact of the final days of the Cold War, when global thermonuclear war really seemed possible. I remember worrying about that on almost a daily basis. I don’t think the children of Gen X can possibly understand that. Neither terrorists nor even climate change represent the same kind of utter existential threat we felt like we were living under then. As recent as the ’80s often feel to me, this sort of thing really pounds home just what a different and distant time it was.

But rather than dwell on obsolete cultural dread, let’s do like we did then and turn our attention to more frivolous pursuits. This week’s bonus video is David Lee Roth’s solo hit, “Just Like Paradise,” released around the same time as “Give to Live,” as I recall. I find it interesting how closely these two videos parallel each other:

Well, they’re similar in the sense that they both alternate studio performance footage with rock-climbing scenery, anyhow. But where Sammy is trying to say Something Important, Dave’s song is just about flash and fun and gettin’ laid. Come to think of it, that’s a pretty good encapsulation of the difference between Roth’s work with Van Halen and Sammy’s “Van Hagar” stuff.

Incidentally, I remember having more than one argument over this song with Shelly, my then-girlfriend. She was a New Wave girl and didn’t have a lot of use for Roth (or Sammy or Van Halen, or pretty much any of the music I liked), and would always try to get me to change the station whenever “Just Like Paradise” came on the radio of the little VW Rabbit in which I commuted to the U of U. I, of course, would refuse and proceed to sing along at the top of my lungs, throwing in a leering waggle of my eyebrows at the more suggestive lyrics, no doubt hoping she’d eventually come around to seeing the debauched wisdom of ol’ Diamond Dave and let me investigate that whole paradise thing. Good times…

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The 14,000th Cover of an Immortal Song

The Muppets strike again with their latest viral music vid:

I don’t think this one is quite as funny as that insane version of “Bohemian Rhapsody” or the Beaker video I posted a while back, but it’s a welcome throwback to the violent, early incarnation of the Muppets that was seen on The Tonight Show and Saturday Night Live, among others, before they were domesticated (i.e., sanitized) and came to be thought of as kids-only fare. As I’ve said before, I think Jim Henson would be tickled by these new virals that are working so hard to recapture the wild, subversive energy his creations used to have. I know I am.

Have I mentioned, incidentally, that “Stand by Me” is one of my all-time favorite songs?

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