Monthly Archives: October 2005

Small Gestures

Feeling a little down about the state of the world today? Need some evidence at the end of the work week that not every member of the human race is a slack-jawed, mouth-breathing, self-absorbed bastard who couldn’t care less about his or her neighbors so long as They Got Theirs? Then I’ve got just the thing for you: a story about the random kindness of some comic-book fans trying to help out one of their own who lost it all in Katrina.

Here’s the Cliff-Notes version: Leo McGovern is the 26-year-old publisher of a local alternative culture magazine based in New Orleans. He’s also a long-time comic fan who had a collection numbering in the thousands of issues before the hurricane. Needless to say, all that paper did not survive the flooding after the levees broke. Leo blogged about his loss a few weeks ago, word got around the ‘net, and now, as Leo tries to rebuild his life and his magazine, random strangers are helping him rebuild his lost comic collection as well. People are just sending him issues and asking for nothing in return. Someone even sent him an autographed poster from the creator of his favorite series, Transmetropolitan. To Leo’s credit, he never asked anyone to do this and he seems genuinely humbled by the gesture. I would be, too. Hell, I’m humbled to hear people are doing it for someone else. I find it genuinely touching that folks care so much about someone they’ve never met simply because he shares the same hobby, and I think it’s fascinating that the Internet — which I’ve often derided as the greatest time-waster ever invented, even as I click my way through another day — has made it so convenient, so possible, to empathize with another human being and do things like this that are just plain nice.

My interest in Leo’s experience probably comes from having a basement full of the same kinds of stuff that he lost: comics, posters, toys, videos, movie programs, books, ephemera of every description, and nearly all of it is painfully vulnerable to moisture. I’ve often imagined what it would be like if the house burned down or flooded or if the Big Earthquake finally comes and buries it all. I know that collectibles are pretty worthless, comparatively speaking, and that losing even my favorite items couldn’t possibly compare to losing my entire home. For that matter, nothing that a person can own is equivalent to the life of another human being or even to the life of a beloved pet, and Katrina brutally proved that point to far too many people. But things like collectibles do have some value, nevertheless, at least to those of us who keep collections. It doesn’t matter what we actually choose to hold on to — my father, for example, has a yard full of junk cars and associated parts, but it’s really no different than my basement full of paper — we use these objects to define ourselves and express ourselves, to give tangibility to our daydreams. They remind us of better times and provide a pleasant escape at the end of a rough day, something to think about beyond the mundane requirements of life. To have them forcibly taken away must be wrenching, even if we have bigger things to worry about, and to have someone you don’t know but who nevertheless understands offer to replace even one of those treasures, just out of kindness… well, as Yoda might say, it brings good feelings to my heart. Giving someone a comic book may not seem like much in the grand scheme of things, but the small gestures sometimes carry the most weight.

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Wallace and Gromit’s Home Is Gone

Bummer news for fans of Nick Park’s droll claymation creations (of which I am one, even though I haven’t gotten around to seeing the new Wallace and Gromit feature yet): the Aardman Animations studio in Bristol, England, has been utterly destroyed by fire. Casualties included the sets, props, and models from all three Wallace and Gromit shorts (A Grand Day Out, The Wrong Trousers, and A Close Shave), as well as from Park’s Oscar-winning Creature Comforts series and the company’s first feature-length release, Chicken Run. Items from the Wallace and Gromit movie that was just released this past weekend, The Curse of the Were-Rabbit, were unharmed.

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Final Wishes

Boing Boing is linking this afternoon to a Chicago Tribune obituary for one Theodore Roosevelt Heller, an 88-year-old man who must’ve been quite a character. In addition to noting that he “forced his way back into the Illinois National Guard [after being discharged from the Army], insisting no one tells him when to serve his country,” the obit also contains this line:

In lieu of flowers, please send acerbic letters to Republicans.

You just know this guy’s going to have an interesting eulogy…

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Utah Episode of Extreme Makeover This Weekend

It’s not really my thing, but if you enjoy Extreme Makeover: Home Edition or you just want to see ol’ Bennion’s home state on TV, tune in this Sunday night for an episode of the popular show that was shot in Bountiful, Utah. (For you out-of-staters, Bountiful is a bedroom community just north of Salt Lake.) You may recall that I wrote about this subject earlier this summer, while the TV folks were actually here. There’s an article in today’s Trib about the family featured in the episode, if you’re interested.

Here locally, the show airs at 7 p.m. Sunday on KTVX Channel 4. Okay, commercial over; we now return you to your regularly scheduled blogging…

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Operant Conditioning

So, did everyone see last night’s episode of Lost? I’m with Jack — the underground station that looks like a leftover set from Gene Roddenberry’s Genesis II is just a big psychology experiment. The reference to B.F. Skinner was a dead giveaway, and even if it wasn’t, wouldn’t it make more sense for the station’s builders to automate the system that has to be reset every hour-and-a-half to avoid Total Global Destruction? Yep, no doubt in my mind: an experiment. And what the hell’s up with Sawyer letting that little girlie girl take his gun? Getting shot in the shoulder must’ve caused his IQ to drop a few points… as Dr. Henry Jones, Sr., said under similar circumstances, “I didn’t trust her; why did you?”

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Addendum to the Previous Entry

[Ed. note: if you haven’t read the previous entry already, please do so now. I’ll wait… finished? Okay, procede.]

It seems this isn’t the first time John Densmore’s refusal to let Doors songs be used to peddle products has gotten some press. I’ve found a piece he wrote on this subject three years ago for The Nation. It’s pretty rambling and positively reeks of aging hippie, but if you’re interested in reading the man’s own words instead of a few cut-lines and a journalist’s interpretation of his opinion, follow the link. Here’s his argument, in a nutshell:

I’m pretty clear that we shouldn’t [sell our songs for commercials]. We don’t need the money. But I get such pressure from one particular bandmate (the one who wears glasses and plays keyboards). [Ed. note: that would be Ray Manzarek.]

 

“Commercials will give us more exposure,” he says. I ask him, “so you’re not for it because of the money?” He says “no,” but his first question is always “how much?” when we get one of these offers, and he always says he’s for it. He never suggests we play Robin Hood, either. If I learned anything from Jim, it’s respect for what we created. I have to pass. Thank God, back in 1965 Jim said we should split everything, and everyone has veto power. Of course, every time I pass, they double the offer!

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What Would Jim Do?

Once, in what now seems like a previous life, I listened to a lot of music by The Doors. Like many other young men with artistic pretensions and a generally sulky disposition, I was drawn to the dark vibe of the music and the cryptic, existential lyrics of the band’s late frontman, Jim Morrison. I fancied myself a wounded romantic for reasons that shall remain anonymous, and I identified with the band’s well-known songs of alienation and pain, songs like “Riders on the Storm,” “Love Her Madly,” and “People Are Strange.” I bought into the myth of Morrison as a shaman in leather pants, and although I never seriously believed he was still alive, it long amused me to think that he might have faked his death to escape an unsatisfactory life as a rock ‘n’ roll sideshow freak.

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Dang Clones

It’s a gray and drizzly day here in the SLC, and just about everyone I passed during my lunchtime constitutional looked as if they needed a good laugh. If you do, too, might I suggest John Scalzi’s General Notes on the Care and Feeding of Clones? It seems that having a clone of yourself is not the panacea you might think, since the clone won’t be any more good for anything than you yourself.

Note #10 pretty much sums it all up:

10. Eventually your clone will get the idea of cloning itself. You might think it’s a bad idea at first — everyone knows that a clone of clone is like a second generation photocopy, and it becomes slightly more smudged, and then next thing you know you’ve got a drooling idjit that looks like a mashup between you and the late Marty Feldman — but on the other hand, by the time your clone gets this idea, you’ll have realized that all your clone is good for is sitting on the couch and mocking you while it eats your food and tries to trick your wife into having sex with it. Doesn’t your clone deserve to be similarly afflicted? Sure it does. Be warned, however: Your clone’s clone will still want to sleep with your wife. They’re just that way.

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